Nynthixia productions

Hello, Nynthixia there.

On yesterday, I published the crossfade for the album "Annihilation", its air date being on Saturday, but also on Lily's 8th birthday (already...). This album is for people being 16 and more, but for the crossfade I chose parts of the concerned song that weren't concerned by the explicit rating. There's still the warning at the beginning of the video though.

If you want to have a look at the inedite tracks, it's here:

This took me several hours to do this and I'll explain why later, but now, I have a tracklist to give, and sorry if it's coming only now, I also finished it yesterday evening.

The September album will be called "Laments" and will be aired on September 29th 2018. The tracklist contains songs with Akari, MAYU (who have a deadlined song each), Nyui and kokone.

CD22 - "Laments"

01. Bleeding Laments (feat. Kizuna Akari) - air date: August 30th
02. Flavia (feat. Kizuna Akari)
03. MORPHINIUM (feat. Kizuna Akari)
04. Xylia (feat. Anna Nyui)
05. Insomniac (feat. Anna Nyui)
06. Veronica (feat. Anna Nyui)
07. Kalonice (feat. kokone)
08. Empress of Heart (feat. kokone)
09. JILLENE (feat. kokone)
10. Paranoid (feat. MAYU) - air date: September 19th
11. Cradle of Hatred (feat. MAYU)
12. Tiffany (feat. MAYU)

OK, got written? So let's go to the "secret project" info.

The crossfade video is actually the 3rd clue to this project.

Hint n°1: The fruit is maturing. - Hint given on the blog
Hint n°2: Careful the red message. - Hint given in CD21's booklet
Hint n°3: I.M.I.T video fragment - Hint given in CD21.5's crossfade

For the voice, it's actually my voice, but with a lot of modifications: pitched up in Audacity, treated with Phasis and Fruity Love Philter, then by Nectar Elements (the legacy plugin, since I don't want to update to the new one seeming less intuitive for me)... And even for the tone itself I didn't take my usual one.

For this one, you have at least the title of the project revealed, "Imitation". So now that you know it, I let you guess on what it could be, how it could be. I won't let you guess when because I don't have an idea myself. But no worries it is coming, slowly, but it is coming indeed. So keep an eye around in everything.

Other news, the date for when I'll update VEGAS Pro to the v16 version is normally on August 27th. You'll be notified with a screen of the update request (with some parts censored such as private data), but more probably on Twitter. And the material lists will be updated as well. As for VOCALOID, I'm still waiting for an update of a voicebank I already have. Also, I see some messages about instabilities of the motor which don't really reassure me to be honest...

Enjoy!

Nynthixia

『Isolation』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX
Tracks mixing : Vegas Pro 15
Synthesizer : FL Studio 20
LIC (instru) : 12FR-180819-00881
LIN (full) : 「599 135 817」
IMIC (full) : 12FR-NYN8937-180820-001020
Instrumental + sung version
Catalog ticket
Album : Annihilation - TRACK 6/12

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : insanity and murder references
Restricted on : piapro (not recommended)

暗闇からの声は、現実の壁を越えて到達していたね
この孤独な白い場所で何回待っているのか分からないよね
もはや秒を数ないよ、天井の上に隠された日もはない
とにかく誰もここに来ることはない、孤独は永遠になるでしょう

暗闇から遠く離れて逃げる方法を探した
風の中に散らばって正気の断片を通して
誰も痛みを見えない、どこにも悲しみが見えない
狂気の地獄でもっと深く歩き続けてでしょう

ゆっくりと灰に腐敗して、この世界についてもう気にしないよ
涙の川は常に真紅の海に向かって流れていくだよね
理由が永遠に消えた暴力と血の道を通っているだね
最悪の悪夢に直面しているよ、一人になりたくなかった

誰もこの恐ろしい状態を気にせず、恐怖を感じていたね
臆病者は精神的な破壊の運命から離れて走って
爪が心の上に閉じ込める前に、遠ざけてはいけないでね
孤独は気にしない猥褻な人々を決して許さないだね

暗闇から遠く離れて逃げる方法を探した
風の中に散らばって正気の断片を通して
誰も痛みを見えない、どこにも悲しみが見えない
狂気の地獄でもっと深く歩き続けてでしょう

孤独な拷問を免れる方法を見つけてた
生命を灰、運命を崩壊した希望に変えて
最も助けが必要、誰も耳を傾けなかった
沈黙は私の深い狂気にしか与えなかった

The voices from darkness have reached beyond the walls of the reality
I don't know how many time I have waited in this lonely white place
I don't count the seconds anymore, neither the hidden days above the ceiling
Nobody will come here anyways, my isolation will be eternal

I searched for a way to escape, far away from darkness
Through sanity fragments scattered in the wind
Where nobody sees the pain, where nobody sees the sorrow inside
I'll continue walking deeper in hell of madness

Slowly decaying into ashes, I don't care anymore about this world
The river of tears constantly flows towards the crimson sea
Through a path of violence and blood where the reason has disappeared forever
I didn't want to be alone, facing the worst nightmares alive

Nobody cared about this horrible condition, frightening themselves
Cowards running away from a fate of mental destruction
Don't look away before the claws close themselves on your heart
Loneliness never forgives indecent people who don't care about

I searched for a way to escape, far away from darkness
Through sanity fragments scattered in the wind
Where nobody sees the pain, where nobody sees the sorrow inside
I'll continue walking deeper in hell of madness

I found the way to escape the lonely torture
Turning lives into ashes, turning the fates into shattered hopes
I needed help the most, but nobody listened
The silence only fed my deep insanity

Les voix de l'obscurité ont atteint au-delà des murs de la réalité
J'ignore combien de temps ai-je attendu dans cet endroit seul et blanc
Je ne compte plus les secondes, ni les jours au-delà du plafond cachés
Personne ne viendra ici de toute façon, mon isolation durera éternellement

J'ai cherché un moyen de m'échapper, loin de l'obscurité
À travers les fragments de lucidité éparpillés dans le vent
Où personne ne voit la douleur, ni le chagrin en nous cachés
Je continuerai de marcher dans l'enfer de la folie plus profondément

Tombant doucement en cendres, ce monde ne m'importe plus désormais
La rivière de larmes coule vers la mer pourpre constamment
À travers un chemin de violence et de sang où la raison a disparu à jamais
Je ne voulais pas être toute seule, faisant face aux pires cauchemars vivants

Personne n'a fait attention à cette horrible condition, tous seuls ils se font peur
Les lâches courant au loin d'un destin de mentale destruction
Ne regarde pas ailleurs avant que les griffes ne se referment sur ton cœur
La solitude ne pardonne jamais les gens indécents qui n'y prêtent aucune attention

J'ai cherché un moyen de m'échapper, loin de l'obscurité
À travers les fragments de lucidité éparpillés dans le vent
Où personne ne voit la douleur, ni le chagrin en nous cachés
Je continuerai de marcher dans l'enfer de la folie plus profondément

J'ai trouvé le moyen d'échapper à cette torture solitaire enfin
Réduisant les vies en cendres, les destins en espoirs brisés
Quand j'ai eu le plus besoin d'aide, personne n'a écouté
Le silence n'a fait que nourrir ma profonde folie sans fin

When the loneliness makes people crazy. Isolated from the world, trying to call for help, nobody listens to you, you begin imagining things until your mental health breaks down.
Music: very atmospheric. Atmo by PoiZone, strings and guitar lead by Morphine, pluck lead by T-Force Alpha Plus.

『Judith』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX
Tracks mixing : Vegas Pro 15
Synthesizer : FL Studio 20
LIC (instru) : 12FR-180815-00880
LIN (full) : 「599 130 401」
IMIC (full) : 12FR-NYN8937-180815-001019
Instrumental + sung version
Catalog ticket
Album : Annihilation - TRACK 5/12

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : yandere content
Restricted on : piapro (forbidden)

遠く離れた未知の脅威によって静かに見られたね、無視し続けていた
障害物を掃除することができる未来を作れた、その後に破壊される
これら全ての無駄な努力は、いつも怖がっていた状況に戻ろうとして
死が逃げる唯一の方法と思われる時代の場所にこだわっていただね

影はまだ私の後ろにあり、前進しようとしていただね
後悔の地獄に落ちて、戻ってくることができないことを知って
神によって捨てられたこの少女の前で、何もしなかったよ
新しい希望の夜明けまで、終わりが来るのを待っていたよね

彼女の空の目の絶望を見ていたとき、何の言葉も持っていなかったよ
生きる理由はずっと前に崩壊してしまった、もっと抵抗しなかったよ
別の人生で幸せを見つけることができると約束していただけだね
彼女が悲しみの道を歩み続けても、全てが失われるわけではない

影はまだ私の後ろにあり、前進しようとしていただね
後悔の地獄に落ちて、戻ってくることができないことを知って
神によって捨てられたこの少女の前で、何もしなかったよ
新しい希望の夜明けまで、終わりが来るのを待っていたよね

Silently watched by an unknown threat in the distance that I continued to ignore
I built a future that could sweep the obstacle away, only to be destroyed afterwards
All these vain efforts to get back to a situation that I always was scared of
Stuck in a place in the time where the death seemed the only way to escape

The shadow is still behind me, and I tried to go forwards
Falling down into the hell of regrets, I know I won't be able to come back
In front of this woman forsaken by gods, I did nothing else
I just waited for the end to come, until the dawn of a new hope

I didn't have any words when I saw the despair in her empty eyes
My reasons to live have been shattered a long time ago, I didn't resist more
I only made the promise that in another life I'd maybe find happiness
Even if she will continue walking down the path of sorrow, not everything is lost

The shadow is still behind me, and I tried to go forwards
Falling down into the hell of regrets, I know I won't be able to come back
In front of this woman forsaken by gods, I did nothing else
I just waited for the end to come, until the dawn of a new hope

Regardée en silence par une menace inconnue dans la distance que j'ai continué d'ignorer
J'ai construit un avenir qui pourrait balayer l'obstacle seulement pour se faire détruire
Tous ces efforts vains pour revenir à une situation qui m'a toujours effrayée
Coincée dans un endroit où la mort ne semblait être que le seul moyen de fuir

L'ombre est encore derrière moi, et j'ai essayé d'avancer
Tombant dans l'enfer des regrets, je sais que je n'en reviendrai jamais
Devant cette femme abandonnée par les dieux, je n'ai rien fait
J'ai attendu que la fin arrive, jusqu'à l'aube d'un nouvel espoir

Je n'avais même pas les mots quand j'ai vu dans ses yeux le désespoir se refléter
Mes raisons de vivre avaient été détruites il y a longtemps, je n'ai pas plus résisté
J'ai fait seulement la promesse que dans un autre vie je serai peut-être heureuse un jour
Même si elle continuera de marcher dans le chemin du chagrin, rien n'est encore perdu pour toujours

L'ombre est encore derrière moi, et j'ai essayé d'avancer
Tombant dans l'enfer des regrets, je sais que je n'en reviendrai jamais
Devant cette femme abandonnée par les dieux, je n'ai rien fait
J'ai attendu que la fin arrive, jusqu'à l'aube d'un nouvel espoir

Sister song of "Faith".
Story from this point of view: Judith is the second yandere. Wanting to escape the woman who loves her, Faith, she secretly goes with a man. Faith notices it and kills him, before deciding to kill Judith. What happened then? Judith actually killed her, not being really conscious of what she was doing (hence the "I did nothing", because she doesn't remember, it's like her brain erased the memories). When she noticed her murder, she suicided, full of regrets. Unlike the song "Faith" which is full of determination, here it's quite a mix up of thoughts from a psychotic woman with identity issues.
Music: More sadness notes in this one. First pad by M1, second pad by V-Station, bell atmo by Morphine, bassline by Transistor Bass, guitar lead by Mikro Prism. It gives an organic touch to the trance track.

『Faith』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX
Tracks mixing : Vegas Pro 15
Synthesizer : FL Studio 20
LIC (instru) : 12FR-180813-00879
LIN (full) : 「599 129 302」
IMIC (full) : 12FR-NYN8937-180814-001018
Instrumental + sung version
Catalog ticket
Album : Annihilation - TRACK 5/12

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : yandere content
Restricted on : piapro (forbidden)

幻想と現実との間の壁が壊れた日まで、君をいつも信じた
過去の嘘を放棄していたと真実に立ち向かうことに決めていた
彼は信頼できるのように見え、優れた欺瞞で全てを隠した
悪夢を止めるために立ち上がるまで、私から遠くに連れて行きて

君に信仰を失った、この無実を後悔して
ずっと前に沈黙の壁を壊していたはずだね
何をしても、神の報復を待つことはないでしょう
もう誰の注文にも耳を傾けないでしょうね

あまりにも長い間待ってから、望ましくない運命が起こり始めた
彼の終焉の後、声は恐ろしい怒りの叫び声で共鳴した
決定理由を正確に知ったとしても、後悔することを強いられた
何かを得ることができなければよ、誰も幸せにならないでしょうね

君に信仰を失った、この無実を後悔して
ずっと前に沈黙の壁を壊していたはずだね
何をしても、神の報復を待つことはないでしょう
もう誰の注文にも耳を傾けないでしょうね

君に信仰を失った、この無実を後悔して
ずっと前に沈黙の壁を壊していたはずだね
何をしても、神の報復を待つことはないでしょう
もう誰の注文にも耳を傾けないでしょうね

I always trusted you until the day the wall between the illusion and the reality shattered
I abandoned the past full of lies, and I decided to confront the truth
He seemed a trustful man, hiding everything with an excellent deception
Taking you far away from me, until I stood up to stop the nightmare

I lost any faith in you, and I regret so much this innocence
I should have broken the wall of silence a long time ago
I won't wait for divine reprisals for whatever I have done
I won't listen to the orders of anyone else anymore

I waited for too long before an unwanted fate began to write itself
After his demise, the voice resonated in a horrible scream of rage
I was forced to regret, even if I exactly knew why this decision
If I can't get anything, nobody will be happy

I lost any faith in you, and I regret so much this innocence
I should have broken the wall of silence a long time ago
I won't wait for divine reprisals for whatever I have done
I won't listen to the orders of anyone else anymore

I lost any faith in you, and I regret so much this innocence
I should have broken the wall of silence a long time ago
I won't wait for divine reprisals for whatever I have done
I won't listen to the orders of anyone else anymore

J'ai toujours eu confiance en toi jusqu'au jour où le mur entre l'illusion et la réalité s'est effondré
J'ai abandonné le passé de mensonges, et ai décidé de confronter la vérité
Il semblait être un homme bon, mais cachant tout avec une excellente tromperie
T'emmenant loin de moi, jusqu'à ce que je me relève pour affronter le cauchemar de ma vie

J'ai perdu toute foi en toi, et je regrette cette innocence tellement
J'aurais dû briser le mur du silence depuis longtemps
Je n'attendrai pas de représailles divines pour tout ce que j'ai fait
Je n'écouterai plus les ordres de quiconque désormais

J'ai attendu trop longtemps avant qu'un destin non désiré n'ait commencé à s'écrire
Après sa destruction, la voix a résonné dans un cri de rage hurlant
J'ai été forcée à regretter, même si je savais pourquoi j'ai pris cette décision exactement
Si je ne peux rien avoir, alors personne ne pourra en sourire

J'ai perdu toute foi en toi, et je regrette cette innocence tellement
J'aurais dû briser le mur du silence depuis longtemps
Je n'attendrai pas de représailles divines pour tout ce que j'ai fait
Je n'écouterai plus les ordres de quiconque désormais

J'ai perdu toute foi en toi, et je regrette cette innocence tellement
J'aurais dû briser le mur du silence depuis longtemps
Je n'attendrai pas de représailles divines pour tout ce que j'ai fait
Je n'écouterai plus les ordres de quiconque désormais

Sister song of "Judith".
Story from this point of view: Faith is the first yandere, who was in love another woman (Judith) before she went with another guy... In secret. Actually Judith was trying to flee Faith as much as possible. When the latter noticed it, she killed him and decided to kill Judith as well since she still didn't want to be with her. But things didn't happen as expected...
Music: pad and low chords by Hybrid, high chords by Xpand!2, synth kicks by Sytrus, atmo by Toxic Biohazard, arp pad by Sawer, lead by MiniSynth.

Hello, Nynthixia there, not from her home, but from a place where normally she doesn't have Internet so is using the phone data to write this blog post but doesn't care because doesn't use her phone much (oh well)

(Sorry if it was a long intro)

I won't give you any hint for the moment on the project I'm working since now... 4 months? But there are already 2 clues out of here, try already to get a possible message and a possible idea of what I'm doing.

I don't know if I'll continue these types of blog posts but if it's the case, these may be on little things that, of course, have something to do with production, and that I want to talk about in public, without anything to fear.

First, I wanted to say that I'm aware that Ritsu will maybe have a Sharpkey VB. I actually knew about the engine few months ago, and my first reaction, to be honest, was "This is so much the free Chinese Vocaloid".

Seriously, if you are at ease with Vocaloid's UI, you'll know how to use Sharpkey. But more if you use Chinese VBs... Which is not my case. I know too little of Chinese compared to Japanese to make a song in Chinese.

And if you're wondering "what would be a dream team of Chinese Vocaloids if I did Chinese songs": Xingchen, Qingxian and Xin Hua. And maybe Tianyi as well. The first three would be a bit respectively Yukari, Lily and or IA or MAYU.

"You know there is a Japanese version of Xin Hua and Tianyi, why didn't you take them?"

This is not a problem of interest, but... For the two girls there are different reasons. And no, this reason is not called "money".

For Xin Hua, she's quite easy to get. I just want to see how much her Japanese voicebank (I don't have any fears for her Chinese voicebank) is durable and if she will be guaranteed to get updates for future engines. The Vocaloids for which I have the least fears for all the ones I have are the ones coming from Internet (especially GUMI, here, no doubt at all!) or AHS (who extended their support for V2 voicebanks that Yamaha doesn't want to support anymore). I'm less serene for MAYU or IA though (MAYU: don't know for an update; IA: risk of switching software (already told about it in the past)).

For Tianyi... The ways to get her are really, really restrictive. Her Japanese website only ships to Japan. Taobao does not export DVDs and we have to use a forwarding service ( = more expensive and more difficult to use than a direct shipping) if ever we wanted to export something from this website. And there is no Amazon Japan entry (biggest market for Vocaloid physical software boxes).

I actually have my eyes on Xin Hua though. Tianyi does not have that much priority compared to her. And since how long? A bit at the same time as I did for Akari.

OK, coming back to Sharpkey. The engine is free and I already tested quite quickly some of the voicebanks that already exist. There is generally less noise for some of them (except Yuan Xiao, who has a lot!) and Huan Xiao Yi even reminded me Luka's voice! The voicebanks are very huge though: more than 1Go to download each. But maybe greater quality than an UTAU voicebank in general.
So maybe someday, if some Japanese voicebanks for Sharpkey come out, I'll maybe test them. And if Ritsu gets his Skarpkey VB? No problem, I'll switch without any problem.

Speaking of UTAU... Maybe you saw it in the top right corner, but I'm currently in restricted material mode. I have less restrictions than usual though. I found a way to move my virtual machine for rendering the UTAU voicebanks to my own computer (the other one used a different virtualization engine and is not a laptop). However I didn't migrate everything yet.

I migrated these voicebanks:
- Meiji: Hunter, Lilith, Fairy
- Nyui: vivid
- Itako
- Kiritan: VCV and CVVC strong
- Totoko: Hoppu (cute)
- Sayu: one of the v2 VCV
- Tei: last VCV voicebank (3.1)
- Ritsu: Kire

I didn't do these migrations yet:
- Oniko: VCV and CVVC. Are in the download folder but not set into the virtual machine yet
- Nyui: raw. Is in the download folder but not set into the virtual machine yet
- Stella: ACT2 VCV+CV (requires a manipulation to make the voicebanks active at the same time) and 2018 VCV (not installed yet)
- Momo: Cute, Passion. Are in the download folder but not set into the virtual machine yet

Also the CVVC of Kiritan requires a manipulation as well (typically copy/paste and modify the copy of several lines).

The straight VB of Momo, which is a CV, is rendered on my current computer directly.

The hybrid attempt for Totoko due to corruptions of her archive is not migrated at all. Told about it in the past blog post as well.

So typically I'm restricted for Oniko, Stella and Momo (except the straight VB) and half-restricted for Nyui. For now.

This may be the last year I move Meiji's deadline of August 8th. This year I moved it to the 3rd with "SINCUBUS" (which got rated "Explicit" by the way...) but if I can continue like this, August 8th will remain a deadline like all the others. Also this week I won't post any song, since I'll work on the album-specific tracks. All are songs for Lily.

So no worries if I don't set up publicly things, that doesn't mean I'm not working!

I also may be a bit slowed down for answering questions. Expect more a 48h waiting time instead of 24h.

That said, enjoy!
Nynthixia

『SINCUBUS』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX
Tracks mixing : Vegas Pro 15
Synthesizer : FL Studio 20
LIC (instru) : 12FR-180802-00873
LIN (full) : 「599 116 399」
IMIC (full) : 12FR-NYN8937-180803-001012
Instrumental + sung version
Catalog ticket
Album : Annihilation - TRACK 9/12

Rating : Explicit - E
Not recommended for people under... : 16
Reason : censored profanous language, murder references, mature/violent/explicit themes/lyrics
Restricted on : piapro (forbidden), YouTube (age restricted), Dailymotion (age restricted), Niconico (age restricted), Soundcloud (explicit content warning), bilibili (explicit content/age restricted)

悪霊に守られた罪深い庭の地獄へようこそ
残酷と拷問が美味しい食事である暖かい世界
女王は本当に私たちの犠牲者を気にしていくのね？
罪の本当の意味を理解していない無益な生き物だ

恥ずかしい理由がないうちにばかげた制限にこだわるのはなぜの？
無神論者は地獄で燃えており、耐えられない人類は罰せられて

違う行動をしているので誰もが私を笑っていく
「他の誰も尊敬しない罪のサキュバス」、何に話しての？
私を拒絶する理由だと思うなら、完全に間違って
女王だけが私に命令を与えることができる、ばかな××！

優しを穏やかに待ってから、罰打ちのために鞭を取れて
不耐性がなくなるまで、強い弾圧を起こすでしょうよね
あなたが望むように、七番目の天国に連れて代わりに
惨めな人が死ぬ第七の地下におまえをお送りしてく！

恥ずかしい理由がないうちにばかげた制限にこだわるのはなぜの？
無神論者は地獄で燃えており、耐えられない人類は罰せられて

Welcome to the hell of the sinful garden kept by the demons
A warm world where the cruelty and the torture are tasteful meals
Does the queen really care about our victims?
Worthless creatures who don't understand the real meaning of sinning

Why sticking to ridiculous restrictions while there is no reason to be ashamed?
Irrespect is burning in hell, intolerant humanity being punished

Everyone has been laughing at me because of a different behavior
"A succubus of sin who doesn't respect anyone else", what are they talking about?
If you think this is a reason to reject me, this is totally wrong
Only the queen can give me orders, stupid ××××××!

I'll gently wait for the insults before taking the whip for the punishment
I'll create a strong oppression on you until the intolerance gives up
Instead of bringing you to the seventh heaven as you love to desire
I'll send you to the seventh underground where the miserables die!

Why sticking to ridiculous restrictions while there is no reason to be ashamed?
Irrespect is burning in hell, intolerant humanity being punished

Bienvenue à l'enfer gardé par les démons du jardin des péchés
Un monde chaud où la cruauté et la torture sont des repas communs
La reine en a-t-elle vraiment quelque chose à faire pour nos victimes enfin ?
Des créatures misérables qui ne comprennent pas la vraie signification du péché

Pourquoi se fier à des restrictions ridicules alors qu'avoir honte n'est pas nécessaire ?
L'irrespect brûle en enfer, l'humanité intolérante goûtera le supplice du fer

Tout le monde se moque de moi car mon comportement est un peu différent
"Une succube du péché qui ne respecte personne d'autre", de quoi vous parlez ?
Si vous pensez que c'est une raison pour me rejeter, vous vous trompez lourdement
Seule la reine a le droit de me donner des ordres, saletés de ××××××× !

J'attendrai gentiment les insultes avant de prendre le fouet pour la punition
Je créerai une forte oppression sur toi jusqu'à ce que ton intolérance ait abandonné
Au lieu de t'emmener au septième ciel comme tu aimes tant le désirer
Je t'enverrai au septième souterrain où les misérables sont exécutés !

Pourquoi se fier à des restrictions ridicules alors qu'avoir honte n'est pas nécessaire ?
L'irrespect brûle en enfer, l'humanité intolérante goûtera le supplice du fer

Warning: song not for all audiences
Rendered with the Hunter voicebank this time.
Story: if you don't know what a succubus is, it's a female demon (or at least a demon imitating the appearance of a woman) to have relationships with men and stealing their energy (I won't give more details, but I invite you to do some research if you want).
Now, imagine a succubus taking women as victims instead of men. She becomes excluded of her society by her demonic sisters, thinking she's acting like an incubus, and calling her "the succubus of sin". And the queen of the succubus kingdom, Lilith, does she really care? No idea.
The sure thing is that this special succubus wants to be sure to punish homophobia in her own way. Taking people into hell and making them suffer the most cruel way possible.
Nobody tells the succubi what to do. And nobody judges on people's sexuality. Got it? Or else... She'll take you in hell!
Title: triple pun with "succubus", "sin" and "incubus"
Music: it begins with trance and continues with some rock notes. Gate pad, double leads and pad by Toxic Biohazard, piano by FL Keys and there is Slayer for the guitar, a bit like usual.
Requires Fruity Delay 3 - built under 20.0.3 b532, can be eligible to a compatibility patch for FL12 only

『Oceana』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX
Tracks mixing : Vegas Pro 15
Synthesizer : FL Studio 20
LIC (instru) : 12FR-180801-00872
LIN (full) : 「599 115 814」
IMIC (full) : 12FR-NYN8937-180802-001011
Instrumental + sung version
Catalog ticket
Album : Annihilation - TRACK 3/12

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : yandere content
Restricted on : piapro (forbidden)

あなたを一度見ていたよ、愛の気持ちを否定していた
ちょうど明白な現実に背を向けることを続けてた
それ以来、いつかあなたに会いたいと思っていただよね
空からの柔らかい天使の腕に包まれていただね

運命を受け入れる前に自分に嘘をついていた
幻想に立ち向かうことを夢見ていなかっただよね
二つの世界の間に立っている鏡を打ち砕いた
全てが盗まれてしまう恐ろしい宇宙で起きるね

あなたを一度見ていたよ、愛の気持ちを否定していた
ちょうど明白な現実に背を向けることを続けていた
それ以来、いつかあなたに会いたいと思っていただよね
空からの柔らかい天使の腕に包まれていただね

目を開いて周りを見回し、誰もここに立っていなかった
離れていた、あなたの手を持っている男を見ていたよ
激しい悲しみに溺れて、再び起きようとしていた
永遠に一緒になるという約束をしていただよね

一瞬のうちに、男の最後の叫び声を聞いたよ
崩壊する前に、人生のために必死に苦しんで
愛の泥棒はこの世界に早い別れを告げれてく
激しい寒いの中で、かすかな息が蒸発していく

永遠に私を傷つける間違いを信じていたよ
とても後悔していて、どうして生きているのか知らない
この状況はあなたにとってばかげているようだのね？
ついて望んでことを信じて、最悪の運命さえて

I looked at you once, and I denied any feeling of love
I just continued to turn the back to an obvious reality
Since then I wanted to see you once again someday
Embraced in the arms of a tender angel from the sky

I lied to myself before accepting the fate
I didn't dare to fight against the illusion, stuck in the dream
I finally shattered the mirror standing between the two worlds
Waking up in a cruel universe where everything can be stolen away

I looked at you once, and I denied any feeling of love
I just continued to turn the back to an obvious reality
Since then I wanted to see you once again someday
Embraced in the arms of a tender angel from the sky

I opened the eyes and looked around, nobody was standing here
In the distance, I saw the man holding your hand
Drowned in an intense sorrow, I tried to get up again
I made the promise that we would be together forever soon

During an instant, I heard a man's last scream
Desperately struggling for a life, before collapsing
A love thief leaving an early farewell to this world
The faint breath evaporates in a deadly cold wind

I believed to mistakes that would hurt me forever
I had so many regrets, and I don't know why I'm living
This situation seems ridiculous for you, right?
Believe what you want about me, even the worst fate

Je t'ai regardée une seule fois, et ai refusé tout sentiment d'amour
J'ai juste continué à tourner le dos à l'évidente réalité
Depuis j'ai voulu te revoir encore une fois un jour
Dans les bras d'un ange céleste et tendre enlacée

Je me suis mentie à moi-même avant d'accepter le destin
Je n'ai pas osé combattre l'illusion, coincée dans le rêve sans fin
Le miroir se tenant entre les deux mondes, je l'ai enfin brisé
Me réveillant dans un cruel univers où tout peut nous être volé

Je t'ai regardée une seule fois, et ai refusé tout sentiment d'amour
J'ai juste continué à tourner le dos à l'évidente réalité
Depuis j'ai voulu te revoir encore une fois un jour
Dans les bras d'un ange céleste et tendre enlacée

J'ai ouvert les yeux et regardé aux alentours, mais personne ne s'y tenait
Dans la distance, j'ai vu l'homme qui tenait ta main
J'ai tenté de me relever, noyée dans un immense chagrin
J'ai fait la promesse que bientôt nous serons ensemble à jamais

Pendant un instant, j'ai entendu d'un homme son dernier cri
Luttant désespérément pour sa vie, avant de s'effondrer
Un voleur d'amour dans ce monde laissant un adieu prématuré
Le faible souffle s'évapore dans un vent mortel et froid qui passait ici

J'ai cru aux erreurs qui à jamais me blesseraient
J'ai eu tant de regrets, et je ne sais pas pourquoi je suis en vie
Cette situation te paraît bien ridicule, pas vrai ?
Crois ce que tu veux sur moi, même le pire destin de ma vie

Music: remionds me "AURELINA", maybe because they have a common pad. Pretty aquatic melody, with some light notes. Bells by M1, supersaws by Xpand!2, sidechained pad by Vacuum, sequence pad and lead by FM8 and bubble pad and arp pad by Hybrid.

『ILLANTHA』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX
Tracks mixing : Vegas Pro 15
Synthesizer : FL Studio 20
LIC (instru) : 12FR-180730-00871
LIN (full) : 「599 113 290」
IMIC (full) : 12FR-NYN8937-180731-001010
Instrumental + sung version
Catalog ticket
Album : Annihilation - TRACK 2/12

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : yandere content
Restricted on : piapro (forbidden)

暗号化された言葉の無知で、運命自体を構築させて
誠実な愛の証拠ではなく、関係の証拠でもはない
突然崩壊した欺瞞の赤い糸に壊れやすい嘘しかない
この白い手の断片は暖かい鮮血を流させたね

この世界で胸を引き裂き、怒りの鳥を解放していた
悲しみの責任を負っている男に風が飛んでいくね
彼は危険に耳を傾けず、距離を縮め、残りを無視した
敵が値するものでなければ、どちらにも抵抗しなかった

雲が空に浮かぶ夕方、息を聞いていたよね
毒性の病気にかかった、少し呼吸していく
彼がこの眠りから目を覚ますかどうかを見たよ
刃は彼の体を歩き、償還を探した

嘘の壁を壊した、破片を粉々にした、これらを死んだ昆虫として残したよ
このような素敵で心地良い笑顔は、決して終わらない血の流れにうなされるだね

嘘の壁を壊した、破片を粉々にした、これらを死んだ昆虫として残したよ
このような素敵で心地良い笑顔は、決して終わらない血の流れにうなされるだね

In the ignorance of ciphered words, I let the fate build itself
There is no proof of sincere love, not an evidence of a relationship
Only a fragile lie on a red thread of deception which suddenly shattered
The fragments in this white hand let the warm fresh blood flowing

I let free the bird of rage, tearing my chest apart in this world
Flying through the winds to reach the man responsible of my sorrow
He didn't listen to the danger, reducing the distances and ignored the rest
I didn't resist more either, if the enemy was not worth it

On an evening when the clouds were floating in the sky, I listened to the breaths
Slightly breathing, taken away by a poisonous illness
And while I was watching if he was going to wake up from this sleep
The blade walked through his body, searching for redemption

I broke the wall of the lies, shattered the fragments and left these as dead insects
Such a wonderful and pleasant smile to look at, soothed in an never ending flow of crimson blood

I broke the wall of the lies, shattered the fragments and left these as dead insects
Such a wonderful and pleasant smile to look at, soothed in an never ending flow of crimson blood

Dans l'ignorance de mots non déchiffrés, j'ai laissé se construire seul le destin
Il n'y a pas de preuve d'amour sincère, aucune relation n'a été prouvée
Juste un mensonge fragile sur le fil rouge d'une tromperie qui s'est brisé d'un mouvement soudain
Les fragments dans cette main blanche laissent couler le tiède sang frais

J'ai laissé s'échapper l'oiseau de la rage, déchirant dans ce monde ma poitrine
Volant à travers les vents pour atteindre l'homme responsable de ma peine
Il n'a pas écouté le danger, réduit les distances et de ne rien comprendre il a fait mine
Je n'ai pas plus résisté non plus, si l'ennemi n'en valait pas la peine

Un soir où les nuages flottaient dans le ciel, j'ai écouté les respirations
Respirant doucement, emmené au loin par une maladie empoisonnée
Et alors que je regardais si un jour il allait se réveiller
La lame a marché à travers son corps, cherchant la rédemption

J'ai brisé le mur des mensonges, brisé les fragments et les ai laissés tels des insectes morts
Un sourire si magnifique et plaisant à regarder, apaisé dans un flot de sang pourpre sans fin

J'ai brisé le mur des mensonges, brisé les fragments et les ai laissés tels des insectes morts
Un sourire si magnifique et plaisant à regarder, apaisé dans un flot de sang pourpre sans fin

I had to use the Lin VB for the beginning because of very short notes, then I used the Jun one for the rest. And that gave a result that I didn't expect at all. Not that bad either.
Music: dark dance (if you can mix up darkwave and dance a bit). Bass sequences by Hybrid, arp bass and hard kicks by Harmor, atmo by FM8, leads by Toxic Biohazard. There are two voices that are used but these are not samples. The first one (the full sentence) is from Morphine and sounds quite well vocoded and the second one (some words following) from Harmor, very organic. These are synth presets, yes. Harmor's is maybe a bit more flexible than Morphine's though. The magic of additive synths.

『Harajuku Freak』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX
Tracks mixing : Vegas Pro 15
Synthesizer : FL Studio 20
LIC (instru) : 12FR-180727-00870
LIN (full) : 「599 110 040」
IMIC (full) : 12FR-NYN8937-180728-001009
Instrumental + sung version
Catalog ticket
Album : Annihilation - TRACK 7/12

Rating : Approved for all audiences - A
Not recommended for people under... : -
Reason : -
Restricted on : (none)

黒い傘の下に立って、どんな制約や制限も免れた
人々を判断するためにここにいない、もう気にしないよ

この場所で楽しい永遠は、党を止めさせないで
幸せだよね、頭の中から執念を得ていく

いくつかにとっては楽しい創造性、他にとっては変な異常
誰も社会の幸福のための正しい裁判官になれない

この場所で楽しい永遠は、党を止めさせないで
幸せだよね、頭の中から執念を得ていく

Standing under a black umbrella, I broke free of any constraints and restrictions
I'm not here to judge people, I don't really care anymore

Fun is eternal in this place, don't let the party stop
We are happy, we are getting obsessions out of our heads

Joyful creativity for some, weird abnomality for the others
Nobody can be a right judge for society's happiness

Fun is eternal in this place, don't let the party stop
We are happy, we are getting obsessions out of our heads

Debout sous une ombrelle noire, je me suis libérée des contraintes et restrictions
Je ne suis là pour juger personne, je n'y prête plus vraiment attention

L'amusement est éternel dans cet endroit, ne laisse pas s'arrêter la fête
Nous sommes heureuses, sortons les obsessions de nos têtes

Créativité joyeuse pour certains, pour les autres étrange anormalité
Personne ne peut être un bon juge pour le bonheur de cette société

L'amusement est éternel dans cet endroit, ne laisse pas s'arrêter la fête
Nous sommes heureuses, sortons les obsessions de nos têtes

Used the Lilith voicebank.
Music: dance with some Japanese touches. Koto and mandolin by M1, stabs pad by Hybrid, sidechained pad and lead by Vacuum, supersaws by Xpand!2.

DOWNLOAD THE ALBUM (15 TRACKS)

Hello, Nynthixia here.

Hint n°1: The fruit is maturing. - Hint given
Hint n°2: Careful the red message. - See you in the booklet!

OK, that was for the other project.

And now... It's time for the changelog. Half of the tracks was modified, with less or more severe changes. If the track isn't listed, same as demo, you know the trick.

Athame (feat. Kizuna Akari)
[INSTRUMENT] Removed centered crash at the beginning of rolls
[INSTRUMENT] Added new intro lead (GMS)
[LYRICS] New lyrics added during bridge

I think you may have guessed the inspiration of this one, "Remember me" (sele). The thing is that I wanted to leave the bridge empty at first, but it sounded... Well, empty. So I filled it. I made it so it wouldn't be identical to the inspiration source though.

Meredith (feat. Sukone Tei)
[EXTENSION] Extended end with repeated chorus

This song is good, but the outtro was... A bit expeditive? So I extended it, especially on the solo beats part.

Edith (feat. Shirahane Totoko)
[INSTRUMENT] Changed first lead instrument (Vacuum Pro -> GMS)
[MIXDOWN] Redone micro-alignment of capella with instru

To be honest, I didn't really like this track. Now, that's... Slightly better. Yeah, there are some times where you don't like your works.

Tremere Rosae (feat. Kizuna Akari, Yuzuki Yukari)
[GLOBAL] Total reorganization of the track
[LYRICS] New lyrics added

Ah this one... I had an alternative idea for the organization so I set it up. Yes, the song is shorter. Yes, the organization is totally different. But yes, I could include the Onn VB of Yukari for once in a song, hooray! One year after having bought the V4 upgrade... About time!

SALENCIA (feat. Tohoku Itako)
[CAPELLA] The ending note at the last chorus is now shorter
[PATCH] Partially corrected an abrupt phoneme change

The instru of this one didn't change. The problem with Itako, it's the second time I noticed that, if I input really really long notes, she tends to sound robotic, even with fresamp. So I shortened the last note.

What About Now (feat. Tohoku Kiritan)
[INSTRUMENT] Modified piano pattern
[INSTRUMENT] Added semi-arp pattern to first verse

Wanted to make clearer the notes where Kiritan was singing.

MYRSENE (feat. GUMI)
[INSTRUMENT] Added bells pattern during choruses and second verse (M1)

One of the most minor improvements of this album.

Complex Choices (feat. Lily, GUMI)
[EXTENSION] Extended end

The song was a bit... Too short? But quite good enough though.

For those who didn't read Twitter, I told a bit about VOCALOID5 and about the possible absence of a physical version of the engine itself. The thing is, when I get downloads versions, it's mainly because I don't really have the choice (case of Vegas and all the virtual synths/sound packages). But the priorities remain the same: Vegas will be upgraded first, then VOCALOID5. And I'm mainly waiting for a V5 upgrade that is in my interest.

As for Totoko, I tried to repair the corruptions... I made tries when I was doing the album version. It's a big failure. Deformed notes, mainly because UTAU does adaptations based on the pitches. That means I can only use the Cute voicebank of Totoko for VCV (the CV is good but her vowels are a bit too strong and can make Totoko hard to understand, despite having an excellent sensibility for very short notes).

Also, with the album versions, we got over the 1000 total works (original songs (demo and album versions) + transcendent transitions + remixes)! Already... (A bit more than 850 instru works under FL)

And in case you're wondering if I'm suffering from heat... It's all the North part of the planet who's suffering. So, be extremely careful and take care of yourselves.

Next work? "Harajuku Freak". Instru is done, ust files are done. I'll finish the song on tomorrow. Promised, after two songs with quite harsh/mature lyrics, this one will have a lighter ambience.

Take care and enjoy!
Nynthixia