『Divergence』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX, iZotope Ozone 9 Advanced, iZotope Neutron 3 Advanced, iZotope Nectar 3 Plus
Tracks mixing : Vegas Pro 18
Synthesizer : FL Studio 20
LIC (instru) : 12FR-210516-01243
LIN (full) : 「600 184 147」
IMIC (full) : 12FR-NYN8937-210516-001397
Instrumental + sung version
Catalog ticket
Album : CD31.5

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : murders, insanity
Restricted on : piapro (not recommended)

理解できない偽の正常性のこの世界で
他の人とは違う方法で考えてるから
同じ精神的な方言を持っていないよ
この宇宙から分岐している申し訳あるの？

闇が全体を飲み込み、地獄を乱して、燃やして
記憶は痛みを伴い、ひどく、害に満ち、危険だ
責めることにした人を罰することはできているの？

精神を解放するこの深紅の楽園の鍵を見つけていたよ
暴力と血に満ちているけど、そこから救いがもたらされる庭だね
信じてきたこの優しの幻想を終わらせる鍵を見つけていたよ
どうしてまた泣いているので？ 本当に痛みが戻ってきていたので？

正気の兆候を無視することにしていただよ
怒りが共感を消すようにすることにしてた
傷ついた心が病気にしてように感じて
真っ赤な川でバラバラになっているかのように

闇が全体を飲み込み、地獄を乱して、燃やして
記憶は痛みを伴い、ひどく、害に満ち、危険だ
責めることにした人を罰することはできているの？

精神を解放するこの深紅の楽園の鍵を見つけていたよ
暴力と血に満ちているけど、そこから救いがもたらされる庭だね
信じてきたこの優しの幻想を終わらせる鍵を見つけていたよ
どうしてまた泣いているので？ 本当に痛みが戻ってきていたので？

闇が全体を飲み込み、地獄を乱して、燃やして
記憶は痛みを伴い、ひどく、害に満ち、危険だ
責めることにした人を罰することはできているの？

精神を解放するこの深紅の楽園の鍵を見つけていたよ
暴力と血に満ちているけど、そこから救いがもたらされる庭だね
信じてきたこの優しの幻想を終わらせる鍵を見つけていたよ
どうしてまた泣いているので？ 本当に痛みが戻ってきていたので？

精神を解放するこの深紅の楽園の鍵を見つけていたよ
暴力と血に満ちているけど、そこから救いがもたらされる庭だね
信じてきたこの優しの幻想を終わらせる鍵を見つけていたよ
どうしてまた泣いているので？ 本当に痛みが戻ってきていたので？

In this world of fake normality that I can't understand
Because I am just thinking in a way different from the others
I don't have the same spiritual dialect
Do I have to be sorry for diverging from this universe?

Darkness is swallowing in the whole, disturbing and burning hell
These memories are painful, gross, full of harm, dangerous
Can I punish the people who decided to blame me?

I found the key of this crimson paradise that would release my spirit free
A garden full of violence and blood, but from which the salvation will come from
I found the key to the end of this illusion of kindness I've been believing
Why are you crying again? Did the pain really come back?

I decided to ignore any signal of sanity
And to let the rage erase my empathy
I feel my bruised heart is sickening me
As if I was going to fall apart in the crimson river

Darkness is swallowing in the whole, disturbing and burning hell
These memories are painful, gross, full of harm, dangerous
Can I punish the people who decided to blame me?

I found the key of this crimson paradise that would release my spirit free
A garden full of violence and blood, but from which the salvation will come from
I found the key to the end of this illusion of kindness I've been believing
Why are you crying again? Did the pain really come back?

Darkness is swallowing in the whole, disturbing and burning hell
These memories are painful, gross, full of harm, dangerous
Can I punish the people who decided to blame me?

I found the key of this crimson paradise that would release my spirit free
A garden full of violence and blood, but from which the salvation will come from
I found the key to the end of this illusion of kindness I've been believing
Why are you crying again? Did the pain really come back?

I found the key of this crimson paradise that would release my spirit free
A garden full of violence and blood, but from which the salvation will come from
I found the key to the end of this illusion of kindness I've been believing
Why are you crying again? Did the pain really come back?

Dans ce monde de normalité illusoire que je ne peux comprendre
Parce que je pense d'une autre manière que les autres puissent entendre
Je n'ai pas le même dialecte spirituel que ces gens
Dois-je m'excuser si pour votre univers mon esprit est divergent ?

Les ténèbres m'avalent dans cet enfer entier perturbant et brûlant
Ces souvenirs sont pénibles, emplis de mal, dangereux, dégoûtants
Puis-je punir les gens qui ont décidé de me blâmer autant ?

J'ai trouvé la clé de l'enfer pourpre qui libérerait mon esprit
Un jardin empli de violence et de sang, mais dont la salvation serait sortie
J'ai trouvé le clé de cette illusion de gentillesse auquel j'ai tant cru
Pourquoi pleures-tu encore ? La douleur est-elle réellement revenue ?

J'ai décidé d'ignorer tout signal de lucidité
Et de laisser la rage effacer mon empathie
Je sens mon cœur brisé me donner la nausée
Comme si j'avais dans la rivière pourpre m'effondrer ici

Les ténèbres m'avalent dans cet enfer entier perturbant et brûlant
Ces souvenirs sont pénibles, emplis de mal, dangereux, dégoûtants
Puis-je punir les gens qui ont décidé de me blâmer autant ?

J'ai trouvé la clé de l'enfer pourpre qui libérerait mon esprit
Un jardin empli de violence et de sang, mais dont la salvation serait sortie
J'ai trouvé le clé de cette illusion de gentillesse auquel j'ai tant cru
Pourquoi pleures-tu encore ? La douleur est-elle réellement revenue ?

Les ténèbres m'avalent dans cet enfer entier perturbant et brûlant
Ces souvenirs sont pénibles, emplis de mal, dangereux, dégoûtants
Puis-je punir les gens qui ont décidé de me blâmer autant ?

J'ai trouvé la clé de l'enfer pourpre qui libérerait mon esprit
Un jardin empli de violence et de sang, mais dont la salvation serait sortie
J'ai trouvé le clé de cette illusion de gentillesse auquel j'ai tant cru
Pourquoi pleures-tu encore ? La douleur est-elle réellement revenue ?

J'ai trouvé la clé de l'enfer pourpre qui libérerait mon esprit
Un jardin empli de violence et de sang, mais dont la salvation serait sortie
J'ai trouvé le clé de cette illusion de gentillesse auquel j'ai tant cru
Pourquoi pleures-tu encore ? La douleur est-elle réellement revenue ?

Music: I think it's gone from a sort of musical mashup of "Calalini" and "Prostiye Dvizheniya" and finally... We went very far from the second one and there are just some musical structures of the first one that remained. The purpose it was really to create something uneasing. Organ pad by Super 8, sub bass by Sytrus, line synth by GMS, the rest is done with Serum. Also yes, the whispering voices, I took back the same sample as the one in "Not Yet", just pitched it down at max knob. Funny to see how the ambience changes!
Also... Yeah, it's long. Not as long as the Rebirth Edit of "Master Mind" or the mashup "Lamia"/"Hecate", but still quite long. Third place woohoo.
Story: I'd say it's some sort of psychopath...? Who sort of... Who thinks very differently from the others, who just gets harassed for her differences before she really snaps.

『Chained to the Death』

Singers : [in order of solo appearence] Toujoh Wistaria, Gahata Meiji, Jyougasaki Bibi
Rearrangement : iZotope Nectar Elements, ExpressFX, iZotope Ozone 9 Advanced, iZotope Neutron 3 Advanced, iZotope Nectar 3 Plus
Tracks mixing : Vegas Pro 18
Synthesizer : FL Studio 20
LIC (instru) : 12FR-210509-01242
LIN (full) : 「600 176 021」
IMIC (full) : 12FR-NYN8937-210509-001396
Instrumental + sung version
Catalog ticket
Album : CD31.5

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : murder
Restricted on : (none)

Wistaria | Meiji | Bibi

未来の光が見えない長い回廊で、前進し続けて
誰も向こう側に連れて行ってくれない、ひどく孤独を感じて

忘却と空虚が魂を待っている冷たい地獄に向かってる
向こう側に何があるのかわからないまま、沈黙の壁に取り付けられて
爆発が激しく空気を壊し、一発の弾丸が共鳴して
周囲からの涙や叫びさえも誰かの注意を引いていないよね
刈り取り人が私たちの最後の別れのために戻ってくるたびに
両方とも壁に戻っている、手錠をかけられた手を維持している
目の前に未来が見えないのなら、なんて哀れな人生でしょうよね
恐怖と死の匂いを取り戻さずに、冷たい風が戻ってきていた

悲鳴は遠くから聞く時間がない、全てが再び落ちてる
前回より少しだけ多くの血が見えているだよね、それだけ

次回は私の番だと思って、人生は目をスクロールして
最後の祈りを考える前に、魂の窓を閉めている

In this long corridor where the light of the future is unable to be seen, I continue advancing
No one is accompanying me to the other side, I feel horribly alone

Towards a cold hell, where oblivion and emptiness are waiting for souls
Attached to the wall of silence, without knowing what is on the other side
A detonation violently breaks the air, a single bullet resonates through
Not even the tears and the cries from the surroundings are catching someone's attention
Each time the reaper is going back for the last farewell of one of us
And they both go back to the wall, maintaining handcuffed hands
What a pitiful life if we're not able to see a future just in front of us
The cold wind is coming back, without bringing back the smell of fear and death

Scream doesn't have the time to be heard from the distance, everything falls down again
We just see a little bit more blood than the last time, that's it

I think next time will be my turn, my life is scrolling through the eyes
I close the windows of the soul, before thinking about a last prayer

Dans ce long couloir où la lumière du futur est invisible, je continue d'avancer
Je me sens terriblement seule, personne n'est là pour m'accompagner de l'autre côté

Vers un enfer glacial, où l'oubli et le vide attendent les âmes
Attachées au mur du silence, sans savoir ce qu'il y a de l'autre côté
Une détonation brise l'air violemment, une seule balle résonne comme une flamme
Ni même les larmes et les pleurs autour n'arrivent à capter l'attention
Chaque fois que la faucheuse pour l'un de nos adieux revient
Et les deux retournent au mur, maintenant les mains menottées
Quelle vie misérable si l'on ne peut voir l'avenir qui nous appartient
Le vent froid revient, sans ramener l'odeur de la peur et de la putréfaction

Un cri n'a pas le temps d'être entendu au loin, tout s'écroule à nouveau
On ne voit juste qu'un peu plus de sang que la dernière fois, c'est tout

Je crois que je suis la prochaine, la vie défile dans mes yeux d'un seul coup
Je ferme les fenêtres de l'âme, avant de prier une dernière fois de nouveau

The concept of the corridor of the death, all simply.
Music: I showed it on Twitter, but I tried to do future bass... Without using resampling! Not that bad. Saws synths and lead by Serum, synthlines by Super 8, pad by Analog Dreams, sub by Sytrus.
Project is using Transient Processor and is thus limited to FL12.5.1 compatibility patches.

『Datura』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX, iZotope Ozone 9 Advanced, iZotope Vocal Doubler, iZotope Neutron 3 Avanced, iZotope Nectar 3 Plus
Tracks mixing : Vegas Pro 18
Synthesizer : FL Studio 20
LIC (instru) : 12FR-210427-01241
LIN (full) : 「600 163 410」
IMIC (full) : 12FR-NYN8937-210427-001395
Instrumental + sung version
Catalog ticket
Album : CD31.5

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : unintentional suicide, psychological horror elements, implied substance abuse
Restricted on : (none)

Due to a hard drive incident, this song is currently not playable in a blog preview. Please download the archive to listen to this song.
Reason: veg projects haven't been regenerated.

ヘビの有毒な抱擁は良心を奪った
苦い味は警告するのに十分ではなかった
この遠い夢への旅は非常に不快だった
絶対に帰りたくない、二度とそこに戻らない
怖い生き物が近づけて、自然を侮辱して
歪んだ、異常な色の幻想で立ち往生
人生で最大の過ちを犯していたの？
私はただの人形で、終わりを待っていくよ

この恐ろしい世界を二度と見たくない
悪夢は十分に餌を与えられてた
全ての歪みが止まるのはいつだのね？
誰かが遠くで聞くことができているの？

ヘビの有毒な抱擁は良心を奪った
苦い味は警告するのに十分ではなかった
この遠い夢への旅は非常に不快だった
絶対に帰りたくない、二度とそこに戻らない
怖い生き物が近づけて、自然を侮辱して
歪んだ、異常な色の幻想で立ち往生
人生で最大の過ちを犯していたの？
私はただの人形で、終わりを待っていくよ

他の話をもっとよく聞くべきだった
気にしなかったけど、とても後悔してる
時間が経ち、もう時間を数えられないよ
現実感を失ったよう、とても怖い

ヘビの有毒な抱擁は良心を奪った
苦い味は警告するのに十分ではなかった
この遠い夢への旅は非常に不快だった
絶対に帰りたくない、二度とそこに戻らない
怖い生き物が近づけて、自然を侮辱して
歪んだ、異常な色の幻想で立ち往生
人生で最大の過ちを犯していたの？
私はただの人形で、終わりを待っていくよ

Poisonous embrace of the snake took my conscience away
Bitter taste wasn't enough to warn me
The travel to this distant dream has been excessively unpleasant
I want to never return there, never return there ever again
Scary creatures approach me, insulting the nature
Stuck in a distorted, abnormally colored illusion
Did I commit the biggest mistake in my life?
I'm just a puppet on the ground, waiting for the end

I don't want to see this horrible world again
Nightmares got feed enough
When everything's distortion will stop?
Can somebody hear me in the distance?

Poisonous embrace of the snake took my conscience away
Bitter taste wasn't enough to warn me
The travel to this distant dream has been excessively unpleasant
I want to never return there, never return there ever again
Scary creatures approach me, insulting the nature
Stuck in a distorted, abnormally colored illusion
Did I commit the biggest mistake in my life?
I'm just a puppet on the ground, waiting for the end

I should have better listened to the others
I just didn't care, but I regret so much
So much time passes by and I can't count anymore the hours
I seem to have lost any sense of reality, I'm so scared now

Poisonous embrace of the snake took my conscience away
Bitter taste wasn't enough to warn me
The travel to this distant dream has been excessively unpleasant
I want to never return there, never return there ever again
Scary creatures approach me, insulting the nature
Stuck in a distorted, abnormally colored illusion
Did I commit the biggest mistake in my life?
I'm just a puppet on the ground, waiting for the end

L'embrassade empoisonnée du serpent a pris au loin ma conscience
Le goût amer n'a pas été un avertissement suffisant
Le voyage vers un rêve distant excessivement déplaisant
Je ne veux plus y retourner, plus jamais y retourner
Des créatures effrayantes approchent, telles une insulte à la nature
Coincée dans une illusion anormalement colorée, déformée
Ai-je commis la plus grande erreur de mon existence ?
Je ne suis que marionette au sol, attendant la fin de la torture

Je ne veux plus jamais revoir cet horrible monde, plus jamais
Mes cauchemars en ont été suffisamment nourris
Quand tout cessera-t-il de se déformer ?
Quelqu'un peut-il entendre mes lointains cris ?

L'embrassade empoisonnée du serpent a pris au loin ma conscience
Le goût amer n'a pas été un avertissement suffisant
Le voyage vers un rêve distant excessivement déplaisant
Je ne veux plus y retourner, plus jamais y retourner
Des créatures effrayantes approchent, telles une insulte à la nature
Coincée dans une illusion anormalement colorée, déformée
Ai-je commis la plus grande erreur de mon existence ?
Je ne suis que marionnette au sol, attendant la fin de la torture

J'aurais mieux dû écouter ce que les autres m'ont dit
Je n'y ai prêté attention mais je regrette tellement désormais
Tant de temps passe et je ne compte plus les heures passées
J'ai perdu le sens de la réalité, la peur me meurtrit

L'embrassade empoisonnée du serpent a pris au loin ma conscience
Le goût amer n'a pas été un avertissement suffisant
Le voyage vers un rêve distant excessivement déplaisant
Je ne veux plus y retourner, plus jamais y retourner
Des créatures effrayantes approchent, telles une insulte à la nature
Coincée dans une illusion anormalement colorée, déformée
Ai-je commis la plus grande erreur de mon existence ?
Je ne suis que marionnette au sol, attendant la fin de la torture

Story: this is inspired by a possibly true story of someone wanting to know how was a better way to take datura... Except there isn't any. So this is centered on a datura bad trip.
Music: I mixed up some European and Asiatic instruments. Used Arcane, Koto Nation (for the shamisen this time), Epinette and Mysteria.

『Lunatic Lunacy』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX, iZotope Ozone 9 Elements, iZotope Neutron Elements, Vocal Doubler
Tracks mixing : Vegas Pro 18
Synthesizer : FL Studio 20
LIC (instru) : 12FR-210425-01240
LIN (full) : 「600 162 338」
IMIC (full) : 12FR-NYN8937-210426-001394
Instrumental + sung version
Catalog ticket
Album : CD31.5

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : yandere content
Restricted on : piapro (forbidden)

Due to a hard drive incident, this song is currently not playable in a blog preview. Please download the archive to listen to this song.
Reason: veg projects haven't been regenerated.

白い月は夜に明るく輝いていて、中に何かを求めてく
月が美しい深紅色に変わるまで、闇からの生き物が目覚めて
この古い呪いでとにかく受け入れられるかどうかわからなかったよ
でも他の男の腕の中で君を見ると、とても苦しくていくよ

あなたに近づくことができなかっただよね
日光の下でも、あなたを抱きしめないよ
秘密を学ぶとき、あなたは逃げるでしょうね
暗い森の中で一人で泣いてるでしょう

白い月は夜に明るく輝いていて、中に何かを求めてく
月が美しい深紅色に変わるまで、闇からの生き物が目覚めて
この古い呪いでとにかく受け入れられるかどうかわからなかったよ
でも他の男の腕の中で君を見ると、とても苦しくていくよ

憎まないでくれ...

いつかあなたを抱きしめてもいいだのね？
この男はついに姿を消しているのね？
狂気を感じ始めてような気がしている
今彼を殺すことができるような気がして

肉体を通り抜けているのを感じた、もう痛みを思い出せない
性質について学んだとき、絶望は代わりに私に侵入した
実際に殺した理由を決して理解しないだろうと確信した
推論さえしていなかった、愛は間違いなく狂気に陥らせた

The white moon is shining bright in the night, calling for something within
The creatures from the darkness awaken until the moon turns into a beautiful crimson
I didn't know if I would be accepted anyway because of this old curse
But seeing you in the arms of another man was making me suffer so much

I couldn't approach you by any way
Even under the daylight, I would never embrace you
When you'd learn the secret, you'd run away
And I'd be crying alone in the dark forest

The white moon is shining bright in the night, calling for something within
The creatures from the darkness awaken until the moon turns into a beautiful crimson
I didn't know if I would be accepted anyway because of this old curse
But seeing you in the arms of another man was making me suffer so much

Don't hate me...

Can I someday embrace you?
Will this man finally disappear for good?
I feel like I'm starting to feel insane
I feel like I could kill him

I felt myself going through his flesh, can't remember the pain anymore
Despair invaded me instead, when you learnt about my nature
I was sure you'd never understand why I actually killed him
I wasn't even reasoning, love definitely made me fall into insanity

La lune pâle brille intensément dans la nuit, appelant quelque chose en moi
Les créatures des ténèbres se réveillent jusqu'à ce que la lune devienne d'une belle teinte pourprée
Je ne savais pas si tu allais m'accepter à cause de l'ancestrale malédiction pesant sur moi
Mais te voir dans les bras d'un autre homme me fait souffrir pour l'éternité

Je ne pouvais par n'importe quel moyen t'approcher
Même lors de la journée, je ne pourrais jamais t'enlacer
Lorsque tu saurais mon secret, tu t'enfuirais
Mais alors dans la sombre forêt je pleurerai

La lune pâle brille intensément dans la nuit, appelant quelque chose en moi
Les créatures des ténèbres se réveillent jusqu'à ce que la lune devienne d'une belle teinte pourprée
Je ne savais pas si tu allais m'accepter à cause de l'ancestrale malédiction pesant sur moi
Mais te voir dans les bras d'un autre homme me fait souffrir pour l'éternité

Ne me haïs pas...

Pourrais-je enfin un jour t'enlacer ?
Cet homme disparaîtra-t-il pour de bon ?
J'ai l'impression de perdre la tête pour de bon
J'ai l'impression que je pourrais le tuer

Je me sens à travers sa chair, sans me souvenir de la douleur qui me torture
Le désespoir m'a envahie, lorsque tu as appris ma véritable nature
J'étais certaine que tu ne comprendrais jamais la raison pour laquelle je l'ai tué
Je ne raisonnais même pas, l'amour m'a fait tomber dans la folie pour l'éternité

Story: a werewolf girl falls in love with a beautiful woman, still being afraid of her knowing the truth about her werewolf nature and not daring approaching her. She just has her own despair, killing the lover of the one she really loves before being rejected.
Music: at least Straylight, Massive and Serum were used, with Mallet Flux. It went on a sort of light, airy pop song. Almost a little point of feeric.

Hello, Nynthixia here

For MAYU's song you'll get it after I finish working (so near 5/6 PM at my local time).

On May 2nd, my external hard drive started to die by very very slowly reading its architecture and randomly disconnecting whenever trying to go further in the architecture or when trying to detect a certain number of files to copy them. This copy is still ongoing and is using my two last computers (current one and the one before).

The first files being retrieved were the most vital files for production. Instrumentals have been retrieved at 100% so you'll get MAYU and Zunko's next songs as usual. Currently it's vital files from FL Studio data's folder being retrieved on the other computer. The main current one is retrieving most of the non-urgent data, just in order to less tire the damaged drive when copying and limit the copy to only the files created after a certain date. The drive used for main computer copy for these files is currently the 2To unit that was used until 2019 which was 100% sane. So I'll just have to reactualize some folders.

Komplete folder has been revitalized and recreated by hand by using the Komplete hard drive, most of my phone data and a work place connection for the Stradivari Violin iso. It is now 100% back to normal.

Samples folder hasn't been 100% regenerated, but that may be easy to do since I know the only difference between the samples on the previous computer and here are just a folder for Black Octopus and less than 10 for Cymatics. So for now it's just 95% completed again.

Production will resume once all the production necessary files regenerated. My NAS didn't arrive yet because UPS... Truncated by mistake my adress making it unusuable, so I sent back instructions and I'm waiting for a new shipping date. For now, it's another new external drive (same product as the one just before) taking the relay.

Concerning ONE and IA, if by June 15th their CeVIO AI VBs still don't arrive their tracks will be inverted with some of the album after. There would also be the possibility to merge these albums into a two parts big album one (similar to the concept that had "The Insane Door" except it would be in 2 different virtual CDs and not a single one).

Concerning KAFU her release date was pushed back to July 7. Her tracks have been moved to the album after the one in production. Instead you'll get the public tracks for Itako and GUMI that were intended to be released on June 24 and 26 respectively. So exchange of 2 private tracks for 2 public ones. The other private track for Itako will remain in the July/August production album as originally intended. As for GUMI, her private tracks were already in the March-June one.

Also learnt something for Yukari AI that I'll have to test, but apparently, whenever she has her pitch issues there would be a slur setting to apply to the concerned notes. And this was probably why when I tried to do "NANZIA -Truth-" with the Rei VB I had weird results since when I make capellas, I generally render in a "vanilla" status (= no changes to the notes and no sup' plugins) then apply on the effects under VEGAS Pro.

Will keep you aware for the progress of the data retrieval. It will be a bit slow but thanks to the 2To drive it should be slightly faster, but also safer for the damaged drive.

Nynthixia