Nynthixia productions

『Polymnia』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX, iZotope Neutron Elements, iZotope Ozone 8 Elements
Tracks mixing : Vegas Pro 17
Synthesizer : FL Studio 20
LIC (instru) : 12FR-200126-01130
LIN (full) : 「599 688 002」 (build_0001)
IMIC (full) : 12FR-NYN8937-200127-001280 (build_0001)
Instrumental + sung version
Catalog ticket
Album : (unknown)

Rating : Approved for all audiences - A
Not recommended for people under... : -
Reason : -
Restricted on : (none)

Patched on January 29, 2020.
[PATCH] Fixed alignment of last chorus
[PATCH] Refreshed Neutron Elements to fix Meter Tap 2 dll error

見えない美しを手に入れるために、闇から名前を呼ぶ
白い雲の後ろで幸せの物語を歌う
何かを見つけることに絶望の人々を魅了した
言葉で雄弁な、多くの物語を学びてた

庭に囲まれてた、頭の上の林檎
何を打ち明けるべきか分からない、秘密
手に閉じた花が風で飛んでいってた
異なる経路に散らばって、どこがわからない

見えない美しを手に入れるために、闇から名前を呼ぶ
白い雲の後ろで幸せの物語を歌う
何かを見つけることに絶望の人々を魅了した
言葉で雄弁な、多くの物語を学びてた

誰かと話をしたかった、知らなかった
外は眠りについた、瞬間を待った
誰かが言葉に美しく答える前に
両方とも消えて霧の中に消えた

見えない美しを手に入れるために、闇から名前を呼ぶ
白い雲の後ろで幸せの物語を歌う
何かを見つけることに絶望の人々を魅了した
言葉で雄弁な、多くの物語を学びてた

Call a name from the darkness, to reach a beauty you can't see
Singing a tale of happiness behind her white clouds
I charmed people in the despair of finding something
Eloquent in her words, she has learnt many stories

Surrounded by a garden, the apples above her head
Not knowing what to confide, a secret
A closed flower in the hands flew away with the wind
Scattering on different paths, she doesn't know where

Call a name from the darkness, to reach a beauty you can't see
Singing a tale of happiness behind her white clouds
I charmed people in the despair of finding something
Eloquent in her words, she has learnt many stories

She wanted to talk to someone, but didn't know who
The outside went to sleep and she was waiting this moment
Before someone beautifully answered to her words
Both went away and disappeared in the mist

Call a name from the darkness, to reach a beauty you can't see
Singing a tale of happiness behind her white clouds
I charmed people in the despair of finding something
Eloquent in her words, she has learnt many stories

Appelle un nom dans les ténèbres, d'atteindre une beauté que l'on ne peut voir
Chantant une histoire de bonheur derrière ses nuages blancs
J'ai charmé les gens qui tentaient de trouver quelque chose désespérément
Éloquente dans ses mots, elle a appris tant d'histoires

Entourée d'un jardin, les pommes bien plus haut que tout
Ne sachant à qui se confier, un secret
Une fleur fermée dans ses mains qui dans le vent s'est envolée
Parsemant sur quatre chemins, elle ne sait où

Appelle un nom dans les ténèbres, d'atteindre une beauté que l'on ne peut voir
Chantant une histoire de bonheur derrière ses nuages blancs
J'ai charmé les gens qui tentaient de trouver quelque chose désespérément
Éloquente dans ses mots, elle a appris tant d'histoires

Elle voulait parler à quelqu'un, mais ne savait pas à qui
La nature dehors est partie se coucher et elle attendait ce moment
Avant que quelqu'un n'ait répondu à ses mots magnifiquement
Tous deux ont disparu dans la brume et sont partis

Appelle un nom dans les ténèbres, d'atteindre une beauté que l'on ne peut voir
Chantant une histoire de bonheur derrière ses nuages blancs
J'ai charmé les gens qui tentaient de trouver quelque chose désespérément
Éloquente dans ses mots, elle a appris tant d'histoires

First song after this computer reset... Sorry for the wait, had some issues. Especially still Neutron Elements having a little issue, so I hope it didn't change too much the mastering. For me it didn't seem to, but I don't have the absolute ear.
Music: pad by Sakura, haprs by Massive, piano by FLEX. There are lots of voices behind too.

『Ourania』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX, iZotope Ozone 8 Elements, iZotope Neutron Elements
Tracks mixing : Vegas Pro 17
Synthesizer : FL Studio 20
LIC (instru) : 12FR-200123-01129
LIN (full) : 「599 683 499」
IMIC (full) : 12FR-NYN8937-200123-001279
Instrumental + sung version
Catalog ticket
Album : unknown

Rating : Questionable - Q
Not recommended for people under... : 10
Reason : confusing content
Restricted on : (none)

空から落ちた星だ、粉々に砕けてあげる
数十億年以来の宇宙で、倒れるまで

暗い世界の下から誰かが名前を呼ぶのを聞いた
私の退屈を苦しめ、同じ夢から目を覚えて
何を考えているのか分からないよね、遠すぎていく
生まれた場所からの暖かい光を消さないでくれね

空から落ちた星だよ、粉々に砕けてあげる
数十億年以来の宇宙で、倒れるまで

高値から落ちている人の数を知ることはあるのよね？
何も残っていないだよ、混乱した意識さえないよ
もし空の空に属していたら、人生は退屈だろう？
これは本当にあなたが探しているもの、教えてくれ？

地上から見た全体で巨大な宇宙だよね
皆が消えても、一人で生き続けてあげるよね

I am a star fallen from the sky, I will shatter into pieces
In an universe since billions of years, until falling down

I heard someone calling my name from below a dark world
Tormenting my boredom and waking me up from the same dream
I don't know what you are thinking about, I'm too distant
Just don't erase the warm light from where I was born

I am a star fallen from the sky, I will shatter into pieces
In an universe since billions of years, until falling down

Will we ever know the number of people falling from high?
Until nothing remains, not even a confused consciousness
If I belonged to an empty sky, life would be boresome, right?
Is this really what you are searching for, tell me?

I am the whole and immense universe watched from the ground
Even if everyone disappears, I'll remain alive alone

Je suis une étoile tombée du ciel, je vais me briser en fragments
Dans un univers depuis des milliards d'années, jusqu'à tomber lentement

J'ai entendu quelqu'un m'appeler depuis les dessous d'un monde d'obscurité
Me réveillant du même rêve, tourmentant mon ennui
J'ignore ce à quoi tu penses, je suis trop loin d'ici
N'efface juste pas la douce lumière d'où je suis née

Je suis une étoile tombée du ciel, je vais me briser en fragments
Dans un univers depuis des milliards d'années, jusqu'à tomber lentement

Saurons-nous le nombre de personnes qui tombent de si haut pour cela ?
Jusqu'à ce que plus rien ne reste, ni même une conscience dans la confusion
Si j'appartenais à un ciel vide, la vie serait d'un ennui sans concession
Est-ce vraiment ce que tu cherches, dis-moi ?

Je suis l'univers entier et immense depuis le sol qui est observé
Même si tout le monde disparaît, je resterai en vie seule à errer

First of all, no player for 2020 anymore, since Flash will be heavily discontinued. So replaced by a link directly to the preview.
Story: A woman in the space being the muse of the astronomy, being called by people for inspiration.
Music: went with trance music. Chords by Xpand!2, the rest is done with FLEX.

Hello, Nynthixia here

Will just be giving some little info for the next songs and some head ups about the future projects.

Last week, I discovered that Ritsu is finally on DeepVocal (aka Sharpkey), yay, finally! Did a little test, the voice doesn't sound too bad, so it should be usable in future songs. Only issue with DeepVocal is that the file build will be horribly long since I'll have to copy-paste every phoneme into each note. Normally, when I work with VOCALOID, separating phonemes by spaces makes understand the software a space is a separator for the notes. DeepVocal doesn't understand this and instead sets the series of phonemes in the same note. No choice then. It will be like the very old 2015 method with VOCALOID3. Unless I find to make a sort of "artificial" file.

For the ones who don't see what I mean by artificial is that:
1) I create all the musical notes in the file then I save it
2) I use the source of the file to insert the phonemes inside instead
3) I render this file

Problem: I don't know yet how is the source of a DeepVocal project file (I know what the ust and vsqx are though, but these ones are way easier to treat) and if I knew it, I would have to find a way to find where the sound is, which code is surrounding it, to create another file and especially... The file encoding!

(Especially when working on a French computer with Japanese locale)

And if ever it's not possible, it will just be a very long time for treating the file...

The other point is the work. Currently it has been on hiatus due to computer corruptions.
To explain the whole thing, my computer hard drives are divided into 2 different hard drives: a Windows one (SSD 100Go) and a DATA one (HDD 900Go). I let you guess what happened recently... Correct, the Windows one told me that I was starting to be full pretty soon. DATA is quite fine though, half of the disk is free.

What I try to do is that most of time I try to force my softwares onto the D: drive (DATA) instead of the C: one (Windows). I had to move files from the C: to the D: recently, but after, the softwares were not able to find back the files despite the method used (it's another software moving the files, then creating a shortcut on the original drive so the process stays transparent). In some cases it failed a bit, and some cases it failed a bit, were some plugins that I use for musical projects (Native Instruments plugins). So when I tried to compose something on Sunday, I had to abort because the plugins didn't find the presets anymore, and the files going along.

Resulting in me being unable to compose at all last week sadly.

Several other drivers and softwares were also corrupted, and after some repairs, some things are still wrong for some of them.

I have potentially few solutions to remedy this, including possibly buying a new SSD with the same model than the current one but in a bigger size (and it's about €100) to try getting higher space for the Windows drive and thus avoid this situation again.

I also currently have the impossibility to update properly my Windows, since a build update that had issues to install when USB drives were connected (the May update one). I had fixed for a while the issue by reinstalling the build again and again, until the new one (November update, and Insider version but else it's not funny), but one month after, the corruption comes back. And I checked, it's not a virus. Actually, I have a such protection that my computer will get problems more from corruptions than viruses.

So the solution to fix it again would be "just reinstall your build"... Except that the ISO drive that is for reinstalling my current build thinks the mine I have is more recent and does not even offer me a possibility to reinstall the build without wiping everything out.

And believe me that doing this with tons of softwares with limited computer activations is just a hell.

So I'll be doing this in the next days, I'm just awaiting a software that will help me to clone at least the full DATA drive, so I lose less time and less data.

My next deadlines are respectively on the 24th and the 27th, then they are on the whole February month. I will have quite few time to make the songs. Especially with these corruptions.

I had said the other day I had two tracklists. So I built parts of them and I arrived to the following:

- the current 1st tracklist is just missing one title and is composed of 12 of them. Only one song of this tracklist is done, for the ones who didn't look at the catalog, it's "OLEANDRIUM" with Xin Hua. This one was composed between December and January.
- the 1st tracklist contains at least a track with Yukari, called "Ourania" and one with IA, called "Polymnia". These are the 2 you should expect in the next days if everything goes well.
- the 2nd tracklist is set for 12 titles, but only 5 of them have their definitive titles, it's the deadlined songs. Kiritan should have an independant song called "Imaginary Friend" which should be released on February 13.
- the 4 others are parts of a series, an original one this time, and are for kokone, Stella, Xin Hua and Lily.

There are chances the final tracklist will have at least the following:

- "OLEANDRIUM" is final for sure since it's ready
- "Polymnia" and "Ourania"
- "Imaginary Friend"
- the 4 song of the original series

We arrive to 7 tracks.

I have 8 remaining tracks -> 15 tracks in total

Conclusion: the 5 ready tracks for the 2nd tracklist move to the first one, the track that has no title in the 1st tracklist is moved to the 2nd one. And at least 4 new ones will be added to 2nd tracklist.

So you'll get a 15 tracks album next time normally, but I think... Don't expect it before March a strict minima.

The other big project is half done, but is suspended so no news on it for now. I'm waiting for things before continuing the project. And these things should not come before next month.

I hope I can fix these corruptions for good...

Nynthixia

Hello, Nynthixia here! Welcome to 2020 with a first album! Well, indeed, songs were more done on 2019 but... First album of the year!!

DOWNLOAD (12 TRACKS - 6 INEDITE)

Only 2 of the demo tracks are not identical to the one in the album:

Five Thousand Years Ghost (feat. Hinomoto Oniko)

[INSTRUMENT] Added second lead pattern (Sakura)
[INSTRUMENT] Changed lead preset (Sakura)
[MASTERING] Enhanced volume of verses capellas

The Black Cats and the Shrine Maiden (feat. Yuzuki Yukari, Kizuna Akari, CUL)

[INSTRUMENT] Added beats in last intro part
[INSTRUMENT] Added hihats since first chorus
[MASTERING] Remastered Akari's capellas

The first one sets the right mastering (the music was done in very different conditions compared to the others, so not the same sensations while mastering etc, in my case, her capellas were too loud when I made the first mastering so I had too much lowered their volume), the second one modifies a bit the intro and corrects a bit an incoherence in volume for Akari.

The album tracks:

1) Euryale - sister song of "Stheno" clearly.
2) Stare Into the Abyss - clearly a test with Absynth. So it's quite messy? A girl tired from the violence in the world she rathers quitting it and going into the depths of the ocean. She died from it? Possible, if she can't breath.
3) Sword Against the Fire - part of Azur Lane song series, and it's about Izumo, the research ship from Sakura Empire (= Imperial Japan) who has a huge weakness against the fire. Using both Lin and Jun vocals, either one after each other, either both at the same time.
4) Iridescent Queen - a very mentally unstable girl wanting to fix her paradise, but the turn of events really doesn't help...
5) War Machine - part of Azur Lane song series. About Gascogne, forsaken due to France's demise. There is some part of humanity missing, but if we go deep into her feelings... The ones of a weapon used against the enemies.
6) Dysphoria - as the title says, a girl living in one of the worst worlds ever.

Next albums...

With the other major project growing up, the next album took some late and I need to reorganize it due to February deadlines (5 deadlines in February!). A part of the tracklist that was for January composing is done, but also the names of the deadlined tracks for the February composing. As well that the final tracklist can't be determined for now, due to a possibility of changing some tracks of album. So I rather not giving anything else for now.

Major project is almost half done. I may be launching something when the time will come.

Major updates for the blog on 2020

Due to Flash being soon abandoned, I'll start reviewing the current blog posts for the songs and change the players. Normally, on a browser, when you ask for a mp3 file directly in its URL, it will either choose to download it, either choose its own internal player. In the next few months, the current Flash players will be replaced by a little picture linking towards the hosted mp3 file directly.
The URL adress remains the same, though, it will still be uploaded on Eklablog meta-platform, 128 kbits/s if the song length is 4:21 or more (10Mo) or 320 kbits/s if less (<10Mo)

Soon moving the covers from Soundcloud to MQube

A solution to free a bit Soundcloud, is to re-host all the covers that were hosted on Soundcloud to MQube. Of course I'll tag them as reuploads and there will be no tweets about them. It might happen soon as well.

Still no VOCALOID5 for 2020?

Nope, not as long there won't be a V5 vocal interesting me (update of character I already have or character who really hits me, like Akari did). Let's just hope VOCALOID does not remain in a sort of sleepy state this year... Last one was almost pretty empty and it's quite sad.
And for existent vocals, I am still afraid of too many changes in the capellas. I rather staying on a safe base with VOCALOID4. It's fine, quite easy to use for me, took my little use to optimize the work time...

Nectar 1 or Nectar 3?

It might be clear, but:
UTAU song -> Nectar 3
VOCALOID song -> Nectar 1
mixt song (VOCALOID and UTAU) -> all under Nectar 1 for homogeneity

Enjoy!
Nynthixia

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Hello, Nynthixia here

And happy new year 2020!

Already a new year... Again... Time flies really quick, doesn't it...

So, other than the fact we're fully passing to the schedules of 2020 and that the former 17.0 version of the license is not supported anymore and has to use 18.0 or 19.0 for future derivatives... Here are some news you are waiting for...

1) Next album

Next album will be released on January 11, 2020 (Sat) and will be called "Abyssal Ghosts". Already the half of its tracklist has public demos, the other half is songs composed on 2019, all UTAU songs using Nectar 3 Elements as mastering tool, the VOCALOID ones using Nectar 1 Elements due to the v3 not working very well with their capellas.

2) Next projects

There is possibly a new project ongoing, but can't reveal more for now... It's too soon...

I think I just broke something and I need to cure it soon?

Next public song will be at the end of the month, on the 24th with Yukari and on the 27th with IA. Then after it will be a busy February coming soon! Keep in mind from now on: the deadlines table is your sheet for next songs that will have a demo! Keep it preciously~

Anyway, happy new year and take care!
Nynthixia

『Five Thousand Years Ghost』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar 3 Elements, ExpressFX, iZotope Ozone 8 Elements, iZotope Neutron Elements
Tracks mixing : Vegas Pro 17
Synthesizer : FL Studio 20
LIC (instru) : 12FR-191225-01122
LIN (full) : 「599 651 869」
IMIC (full) : 12FR-NYN8937-191225-001272
Instrumental + sung version
Catalog ticket
Album : Abyssal Ghosts - TRACK 7/12

Rating : Questionable - Q
Not recommended for people under... : 10
Reason : confusing content
Restricted on : (none)

日光が最高の地面に届かない涙の森に隠れている
全人類によって忘れられて、何度も何度も泣くことができた

あまりにも長い間泣いて、たくさんの人が通り過ぎたよ
何百回も空が暗くて青くなり、場所に滞在した
ずっと前に死んだ愛を待っていた、もう待つ必要はない
雨と涙だけが風に消える前に私から残ったもの

誰もが沈黙の中で私を見て、何も言わずに立ち去っていた
これらの二つの世界で誰も互いに通信できないかのように

あまりにも長い間泣いて、たくさんの人が通り過ぎたよ
何百回も空が暗くて青くなり、場所に滞在した
ずっと前に死んだ愛を待っていた、もう待つ必要はない
雨と涙だけが風に消える前に私から残ったもの

Hidden in the forest of tears, where daylight can't arrive to the highest ground
Forgotten by the whole humanity, she could only cry again and again

I have been crying for too long, I saw so many people passing
Hundreds of times the sky turned dark and blue and I stayed in this place
I waited for a love that had died a long time ago, so I won't have to wait anymore
The rain and the tears are the only things that remained from me before I disappear in the wind

Everybody has been looking at me in the silence then walked away without saying anything
As if no one can communicate to each other between these two worlds

I have been crying for too long, I saw so many people passing
Hundreds of times the sky turned dark and blue and I stayed in this place
I waited for a love that had died a long time ago, so I won't have to wait anymore
The rain and the tears are the only things that remained from me before I disappear in the wind

Cachée dans la forêt de larmes, où la lumière du jour n'atteint à peine le sol le plus élevé
Oubliée par l'humanité entière, elle ne pouvait encore et encore que pleurer

J'ai pleuré pendant si longtemps, vu tant de gens passer
Des centaines de fois où le ciel est devenu sombre ou bleu et je suis restée en attendant
J'ai attendu un amour mort depuis longtemps, je n'aurais plus à l'atteindre désormais
La pluie et les larmes sont ce qui reste de moi avant que je ne disparaisse dans le vent

Tout le monde me regardait dans le silence puis s'est éloigné sans rien dire à haute voix
Comme si personne ne pouvait communiquer l'un l'autre entre deux mondes qui les séparent de moi

J'ai pleuré pendant si longtemps, vu tant de gens passer
Des centaines de fois où le ciel est devenu sombre ou bleu et je suis restée en attendant
J'ai attendu un amour mort depuis longtemps, je n'aurais plus à l'atteindre désormais
La pluie et les larmes sont ce qui reste de moi avant que je ne disparaisse dans le vent

I tried with Nectar 3 Elements the mastering, will probably have to review it for the album...
Anyway, merry Christmas!
Music: future bass with Sakura (atmo and lead), Hybrid (tremolo pad) and Mikro Prism (accoustic guitar).

『The Black Cats and the Shrine Maiden』

Singers : [in order of solo appearence] Yuzuki Yukari, Kizuna Akari, CUL
Rearrangement : iZotope Nectar Elements, ExpressFX, iZotope Ozone 8 Elements, iZotope Neutron Elements
Tracks mixing : Vegas Pro 17
Synthesizer : FL Studio 20
LIC (instru) : 12FR-191222-01121
LIN (full) : 「599 648 479」
IMIC (full) : 12FR-NYN8937-191222-001271
Instrumental + sung version
Catalog ticket
Album : Abyssal Ghosts - TRACK 12/12

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : murder references
Restricted on : (none)

Yukari | Akari | CUL

不運を与えた負傷した帝国で
犯罪を悔い改めたかったよ
光に向かって導かれたかった
呪われたものを洗い流して
さらば、呪い...

神々は敵を破壊するように要求した
海を赤く染める必要があったよ
そして帝国は世界を支配してる

遠くで敵と戦い始めてた
同盟国が次々と倒れて
そんなに簡単にあきらめない
不運を取り除くために戦う
さらば、呪い...

神々は敵を破壊するように要求した
海を赤く染める必要があったよ
そして帝国は世界を支配してる

深紅の海ではもう終わっていたね
頑張ったと約束していただよ
運命を上書きできなかった
失敗は保証されていただね
さらば、呪い...

神々は敵を破壊するように要求した
海を赤く染める必要があったよ
そして帝国は世界を支配してる

神々は敵を破壊するように要求した
海を赤く染める必要があったよ
そして帝国は世界を支配してる

In the wounded empire that gave us the bad luck
We wanted to repent our crimes
We wanted to be guided towards the light
And wash away what cursed us
Farewell, curse...

Gods have requested to destroy the enemy
We needed to color in red the sea
And the empire will control the world

We started to fight the enemy in the distance
And saw our allies falling one by one
We won't give up so easily
We'll fight to get rid of the bad luck
Farewell, curse...

Gods have requested to destroy the enemy
We needed to color in red the sea
And the empire will control the world

On the crimson sea, it's already over
I promised we have tried our best
We couldn't overwrite the fate
Failure was assured
Farewell, curse...

Gods have requested to destroy the enemy
We needed to color in red the sea
And the empire will control the world

Gods have requested to destroy the enemy
We needed to color in red the sea
And the empire will control the world

Dans l'empire blessé qui nous a donné la malchance
Nous voulions nous repentir pour nos crimes commis
Nous voulions être guidées vers la lumière dans la distance
Et laver ce qui l'a maudit
Adieu, malédiction...

Les dieux ont demandé de détruire l'ennemi maintenant
De colorer en rouge l'océan
Et l'empire pourra contrôler le monde entier

Nous avons commencé à combattre l'ennemi à distance
Et vu nos alliées une à une s'effondrer
Nous n'abandonnerons pas si facilement
Nous combattrons contre la poisse pour nous en débarrasser
Adieu, malédiction...

Les dieux ont demandé de détruire l'ennemi maintenant
De colorer en rouge l'océan
Et l'empire pourra contrôler le monde entier

Sur la mer pourpre, tout vient se terminer
J'ai promis que nous avons fait de notre mieux pour y arriver
Nous ne pouvons annuler notre destin
Nous étions vouées à l'échec jusqu'à la fin
Adieu, malédiction...

Les dieux ont demandé de détruire l'ennemi maintenant
De colorer en rouge l'océan
Et l'empire pourra contrôler le monde entier

Les dieux ont demandé de détruire l'ennemi maintenant
De colorer en rouge l'océan
Et l'empire pourra contrôler le monde entier

Inspired by the characters of Fusou, Yamashiro and Nagato. First one performed by Yukari, second one by Akari and third one by CUL. All from Sakura Empire (Azur Lane). Typically, Fusou and Yamashiro are two girls born unlucky. In order to wash away their curse, they decided to become future shrine maidens. The main shrine maiden of the empire, Nagato, tells them there is possibly a way to do so: fight against the enemies she was told to eliminate. Of course, Fusou and Yamashiro fail in their task.
Music: pop with Japanese instruments. Atmo by FLEX and other instruments by Sakura.

『Bloodline of Revulsion』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX, iZotope Neutron Elements, iZotope Ozone 8 Elements, iZotope Vocal Doubler, Phasis
Tracks mixing : Vegas Pro 17
Synthesizer : FL Studio 20
LIC (instru) : 12FR-191218-01120
LIN (full) : 「599 645 667」
IMIC (full) : 12FR-NYN8937-191219-001270
Instrumental + sung version
Catalog ticket
Album : Abyssal Ghosts - TRACK 11/12

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : murder references, violence
Restricted on : piapro (not recommended)

国の偽りの戦士を追い払った凶暴な男
白い雪の中で血流の川を作れていたね
彼を罰しようとした村人を恐怖に陥れる
「悪魔」と呼ばれていたね、復讐するでしょうけれども...

彼の家族の名誉を奪った人を殺すだろう
怒った人々が怪物を終わらせる前になった
怒りに満ちた嫌悪の血統から生まれていたね
「悪魔」はまだ別の世界のどこかで殺しているね...

A ferocious man who got rid of any false warrior in the country
He made the river of blood flow in the white snow
Terrorizing the villagers who tried to punish him
He was called the "demon" but he would revenge...

He would kill the one who took away his family honor
Before the angered people try to end the monster he became
Born from a bloodline of revulsion fed by rage
The "demon" would still kill elsewhere in another world...

Un homme féroce qui s'est débarrassé de tout guerrier imposteur du pays
Dans la neige immaculée il a laissé couler une rivière de sang
Terrorisant les villageois qui ont tenté de punir l'homme dément
Il se vengerait contre ceux qui ont osé l'appeler "l'oni"...

Il tuerait celui qui a détruit l'honneur de sa famille bien aimée
Avant que les gens en colère ne mettent fin au monstre qu'il est devenu
Né d'une lignée de révulsion nourrie par la rage absolue
"L'oni" dans un autre monde pourra continuer de tuer...

Part of the Dead by Daylight song series.
This time this is about a male killer, but told from an external point of view. Kazan Yamaoka, an ancester from the Spirit killer, was a terrible man in the feodal Japan who eliminated all the ones who pretended to be samurais while they weren't. Until a day a noble called him "Oni-Yamaoka". Begins there a quest for Kazan to eliminate the one who had stained the honor of his family. But everyone was aware about the monster this man became...
Music: it's more an instrument work hence the very few lyrics in this one. And actually, this has been a real challenge to make everything hold into eight sentences. Plucks by Sakura, pad, screaming lead, background sequenced atmo by Massive. The drops are samples still. It does a sort of chillstep with slight Japanese touches, a bit more in constrast with "Rancor" which was way darker and sinister. Here it's more a sort of legend.

『Stheno』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar 3 Elements, ExpressFX, iZotope Ozone 8 Elements, iZotope Neutron Elements
Tracks mixing : Vegas Pro 17
Synthesizer : FL Studio 20
LIC (instru) : 12FR-191210-01117
LIN (full) : 「599 635 230」
IMIC (full) : 12FR-NYN8937-191211-001267
Instrumental - sung version
Catalog ticket
Album : Abyssal Ghosts - TRACK 2/12

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : murder and insanity references
Restricted on : piapro (not recommended)

私の目に悲しみを残して、見ることができてた
取り除けた激しい怒りが戻ってきていただよ
多くの人生を終えてた、最後のものではないよ
私たちを裏切った女神は罰せられないよね...

最悪の犯罪を目撃した女神からの運命の囚人だ
もう一方は誰かに戦争を宣言した、決して敗北しない
「誰が犯人であれ、自分で罰することを約束しているだよね」
「正義を取り戻していく、あなたがしたことをとても後悔していく」

私の目に悲しみを残して、見ることができてた
取り除けた激しい怒りが戻ってきていただよ
多くの人生を終えてた、最後のものではないよ
私たちを裏切った女神は罰せられないよね...

私の姉が彼女を守るために狂ったのは自身の怒りのせい？
その後、女神は美しい体を沈黙に戻すために戻ってきた
「あなたが罰しようとすると、怒りはますます強力になっているよ」
「誰もこの場所で死ぬことはできない、誰も祈らないことを知ってる」

私の目に悲しみを残して、見ることができてた
取り除けた激しい怒りが戻ってきていただよ
多くの人生を終えてた、最後のものではないよ
私たちを裏切った女神は罰せられないよね...

私の目に悲しみを残して、見ることができてた
取り除けた激しい怒りが戻ってきていただよ
多くの人生を終えてた、最後のものではないよ
私たちを裏切った女神は罰せられないよね...

Left alone with the sadness in my eyes, I could only watch
The intense rage I had gotten rid of came back within
I ended so many lives, these won't be the last ones
I won't let the goddess who betrayed us be unpunished...

Prisoner of the fate from a goddess who witnessed the worst offense
While the other has declared the war to someone she will never defeat
"Whoever is the culprit, I promise I will punish them myself"
"I will bring back justice, and you will regret so much what you have done"

Left alone with the sadness in my eyes, I could only watch
The intense rage I had gotten rid of came back within
I ended so many lives, these won't be the last ones
I won't let the goddess who betrayed us be unpunished...

Is it because of my own wrath my big sister went insane to protect her?
Then the goddess came back to reduce our beautiful bodies to the silence
"My rage becomes more and more powerful when you try punishing us"
"You know none of us can die in this place, no one will pray you"

Left alone with the sadness in my eyes, I could only watch
The intense rage I had gotten rid of came back within
I ended so many lives, these won't be the last ones
I won't let the goddess who betrayed us be unpunished...

Left alone with the sadness in my eyes, I could only watch
The intense rage I had gotten rid of came back within
I ended so many lives, these won't be the last ones
I won't let the goddess who betrayed us be unpunished...

Laissée seule avec la tristesse dans les yeux, je ne pouvais que regarder
L'intense rage dont je me suis débarrasser est revenue en moi
J'ai mis fin à tant de vies, ce ne seront pas les derniers selon moi
Je ne laisserai pas la déesse qui nous trahie ne pas être sanctionnée...

Prisonnière du destin d'une déesse qui a témoigné de la pire offense
Alors que l'autre a déclaré la guerre à quelqu'un qu'elle ne pourra jamais défaire
"Peu importe le coupable, je punirai moi-même le responsable de l'offense"
"Je ramènerai la justice, et tu regretteras tellement ce que tu as pu faire"

Laissée seule avec la tristesse dans les yeux, je ne pouvais que regarder
L'intense rage dont je me suis débarrasser est revenue en moi
J'ai mis fin à tant de vies, ce ne seront pas les derniers selon moi
Je ne laisserai pas la déesse qui nous trahie ne pas être sanctionnée...

Est-ce à cause de ma propre colère que ma sœur est devenue folle pour la protéger ?
Puis la déesse est revenue pour réduire nos corps magnifiques au silence
"Ma rage s'intensifie au fur et à mesure que tu punis nos défenses"
"Tu sais qu'aucune de nous deux ne mourra, personne ne priera pour toi dans un avenir éloigné"

Laissée seule avec la tristesse dans les yeux, je ne pouvais que regarder
L'intense rage dont je me suis débarrasser est revenue en moi
J'ai mis fin à tant de vies, ce ne seront pas les derniers selon moi
Je ne laisserai pas la déesse qui nous trahie ne pas être sanctionnée...

Laissée seule avec la tristesse dans les yeux, je ne pouvais que regarder
L'intense rage dont je me suis débarrasser est revenue en moi
J'ai mis fin à tant de vies, ce ne seront pas les derniers selon moi
Je ne laisserai pas la déesse qui nous trahie ne pas être sanctionnée...

Happy birthday to Stella!
So clearly, technically, it's the first public song to be under 19.0 license.
"Stheno" has a sister song, "Euryale", which will be album exclusive. The track is already done.
It's about the two sisters of Medusa trying to avenge their sister against the unfair punishment she got. I won't tell here what happened because it's just unforgivable, and there is a good reason why I censored it.
Quite did a sort of bipolar Stheno while Euryale will be more direct even if actually, the second one has seen the anger of her sister and even brought it to an insane level. Yeah it's quite different from the original.
Music: atmo by FM8, sidechained pad by Absynth (and gosh this synth is so hard to use in the musics I do!), pianos by FL Keys, chords by Xpand!2. It's a bit inspired from "Muriel", there are similarities.
Used Nectar 3 for mastering since it's for Stella. You'll see this after, but I can't use it with VOCALOID capellas due to a serious mixdown issue (it doesn't remasterize very well these and it works well only with UTAU... OK, well... You know what I mean)

Hello, Nynthixia here

Just a little head out for the works using CS licenses. A beta for 19.0 has just started yesterday, and I'm able to use this version from now on. Technically, for the one I am using (BY-NC-SA, or "Attribution Non Commercial Share-Alike") there is no change, it's other mentions that get modified a bit, and the license certificates will now integrate a line for age limits (the tickets already have the information in their title on the public database).

For now, nothing changes. But starting from January 1, 2020 the following will happen:

- all the works that are registered under CS BY-NC-SA 17.0 will require you that if you reuse the work or do any derivative of it (it can be a cover, a remix etc), the license you'll have to apply is either CS BY-NC-SA 18.0 or CS BY-NC-SA 19.0, and the 17.0 will become unsupported. So on the catalog the license code will appear as red.
- that doesn't mean you don't have the right anymore to use the file though, of course you can still use it! It's just the license applied to the derivative has to be a higher version than the one for the original work

- for files under the 18.0, this version is still supported, so no worries. It is even possible to set a compatibility towards this version starting from January 1, 2020, date for which the license version 19.0 will become available for all.

- for files under a 16.0 version or lower, you have to use 18.0 from now on, and on January 1, 2020 either 18.0 either 19.0

Little reminder of what the license authorized you to do:

you can reuse this work under the following conditions:
1) credit all the authors (here, I accept "Nynthixia", with or without the "-P" particle, it works, or the full name used on license tickets and certificates (even if for these works I more recommend "Nynthixia" as it's more obvious))
2) you can't use this work for commercial purposes, this includes selling the product or its derivative in any way
3) when a derivative is created or the work is being modified or altered, the derivative or final product has to be under the same license (with either the exact version when still supported, either a higher version)
4) you can reuse this work without permission if you are part of the group designed for it. For my originals, any user of a vocal synthesizer can reuse the song without permission, but still by applying the previous rules
5) for all the others you have to ask permission like for a classic copyright
6) if ever there is a mistake in credit or any misuse, you have 30 days to repair it, 90 days in case of prolonged absence (only for 18.0 version and 19.0 for the 90 days), after this delay, it's over, you can't use this work anymore
7) licenses have no legal warranty; it's just a "permission" we give to you for reusing the work; the legal status of the work is still a copyright; you just have some supplementary rights

Also keep in mind:

the songs I produce are NOT eligible for a commercial license, several samples or instruments used being under a non commercial license (it already starts with UTAUloids like Tei or Stella, or even the VOCALOIDs for which I have no commercial license because you have to get it separately from your software when you buy it)

If ever there are questions about reusing my works, contact box is open

For works under 19.0, there was one I had finished on December 1, however, the instrumental having been done before the 19.0 beta was made available, I used the compatibility mode and applied 18.0 version of the license to the whole work.
However another song I started on December 1 and finished on today, is registered under CS BY-NC-SA 19.0 beta. Its final code on certificates is "Dec 2019 ver".
It means the next album will be under 19.0 license but will tolerate 18.0 due to some tracks in it having been registered with 18.0 instead.

Nynthixia