Hello, Nynthixia here

DOWNLOAD ALBUM

Sorry if it's coming a bit late, just forgot to prepare the post.

Since most news have been given on the 9th, I won't be giving them here again. I'll just go with the changelog of the album.

CHANGED TRACKS

The End of an Era (Meiji Hunter): changed the final choir note. The end I did for the demo wasn't pleasing me very much and behaved a bit weirdly, so I went for something more simple.

NEW TRACKS

Twin Blasphemies (Qing Su/Saki): [LOVECRAFT SERIES] weirdly we barely notice the two out of each other. About Nug and Yeb, the twin children of Shub-Niggurath. Guardians of a sort of weapon they could use on humanity.

Angel of Music (Xingchen): [LOVECRAFT SERIES] a flute player god for Azathoth, Tru'Nembra is the flute itself actually. The flute plays so the reality can still exist, as long Azathoth is in a deep slumber.

Garden of Affliction (Xingchen): for this one... There is a part actually using Xingchen in Chinese. Otherwise it's just a sort of love tragedy.

Tamara (Xingchen): [YANDERE] In the court of a quite known castle, a woman in love with another woman of the court, frequenting many men and always surrounded by them... Until the day our heroine decides she would be the only one surrounding her.

Disorder (Momo): some kind of disorder preventing you from going forward in your life, and no matter how you struggle, results seem to be the same.

Aramantha (Meiji Hunter): [YANDERE] A lovestruck girl forced to the marriage of a man she doesn't like, when she is actually more targeting the daughter of another family. Just one choice for her to escape her fate: kill the one she was promised to and try convincing the one she loved so much.

Olympia (Bibi): [YANDERE] When this time, your fears get revealed... In love with a woman, she first never gets to kill her rival... Until he kills the one she was in love with. This time, she has a good reason to kill him.

Androktasia (Wistaria): on a battlefield where everyone died, because the goddess of murders unchained their passions...

Threatening Thread -Truth- (Karin): it's the 5th truth track out of the 6. For this one I let you discover what truth the heroine of the main song is hiding.

Poetress from the Clouds (Qing Su): [AZUR LANE SERIES] about Hai Tien, a girl very good in poetry, reading a lot... And trying to be the best bride as she can.

Interstellar (Xingchen): [CORRUPTION SERIES] This song will be connected to the deadlined song Xingchen has for July 3, so better read carefully. When Xingchen arrived, she had a huge discussion with Qing Su, Tianyi and Xin Hua. When the latter asked Xingchen about her AI, she also explained the curse to her, saying she had a vaccine for it and injected it to her... Already feel the trap? Welp the thing is that... Xingchen believed her. And thought her single enemy now is just Minus, her negative alter-ego.

Insanity in Blue (Qing Su): [CORRUPTION SERIES] More simple story here. You might already know that what happened between VY1 and Saki... It happened quite badly and it marked Saki's mind enough so she decided to infect Tsuina because she was scared of her being betrayed by Oniko in the exact same way. Welp, same problem with Qing Su. The story repeats itself. And since Qing Su did take only a night to have some symptoms... It might be quite frightening.

When Flowers Are Falling (Rikka, Karin): [CORRUPTION SERIES] Go read the "OSTARA 2022" part in the Nynthilore posts if you want to have further context. Typically, this song is not about one but two infections. March 21, 2022. Ostara feast is happening at the Pentagram temple. Everything goes well until... Near 11 PM. Yukari and Rikka are discussing until the first one gets a huge headache and starts hearing whispers. Yukari isolates herself, Rikka follows her behind to see... That Yukari is having a breakdown. She is then calmed down for few hours. Near the end, Rikka tries reassuring herself by talking with Saki and Akari... Then Yukari comes back and injects directly Rikka... In front of the others. For Karin now. Even if Rikka wasn't symptomatic at the time, she was still able to contaminate anyone. And when she told about the feasts to Karin, she quite panicked and planted her nails into Karin's neck. It was enough to contaminate her.

Sorry again for posting it a bit late compared to the usual midnight, I just... Felt a bit wrong yesterday evening and slept very early. But here it is.

Enjoy the album and see you in 8 days for the song with Tei

Nynthixia

Hello, Nynthixia there

Here to make a sort of point on the current advancement. And there are many many things to tell.

1) Albums

On Saturday you'll get the album "Stars Going Extinct", which features for the first time Xingchen, Rikka and Karin... It's a 22 tracks album which also contains 2 songs for the Lovecraft series, the penultimate Truth edit as well as 3 songs for the main lore series. Xingchen, Qing Su, Rikka and Karin (the 2 latters being in a single song).

I'm currently working on the CD35.5. For now it's called "Ancestral Destiny" and has... 23 tracks. Initially it had 25 but I'll explain later why it lost 2 tracks.

For now I only did 2 of the 23 tracks. A private song with Feng Yi and the deadlined song for Meiji. These songs will introduce a new mixdown method that I'm going to explain later as well.

CD35.5 contains all deadlines for August and September, so expect some Lily, CUL, Meiji, Akari, VY1, Wistaria, MAYU, Xingchen, Karin and Tsuina in the lot... As well as Feng Yi who will make her appearence!

2) Vocals

RIME: I got the information when I got back from work, but RIME has been moved to autumn 2022. This is why the CD35.5 lost 2 tracks. Her tracks were moved to the WIP tracklist of CD36 (I make at least 1 tracklist ahead from the one I'm working upon) which contained only very few works as well, so it did a good move for me.

Xia Yu Yao: she is having a crowdfunding right now. I know it because I saw the tweet being deleted, but I am very confident the engine will be SynthV. So main registerings in Mandarin, use of Japanese and English via cross-lingual. For the ones who are wondering... I decided to participate in this crowdfunding day one. I took the simple physical solution (solution A, early bird version). I'm just hoping Xia Yu Yao will have her revenge over her Japanese UTAU voicebank which has sadly many flaws, explaining why she didn't get pass the quality test back in 2019 that Bibi and Wistaria also had.

Bandori girls (Toyama Kasumi, Minato Yukina): awaiting for the demos which will probably come after end June. Still no official confirmation unlike the two above.

ROSA: to be honest I was expecting the crowdfunding for her SynthV voicebank to start on ROSA's day, June 3rd, which didn't happen. So I'm still waiting for its start. Also just learnt EMS was reopening for France starting from tomorrow, which I'm quite glad about, so that means no restriction for being sent the package!

Quadimension girls: I still have hope especially since Cangqiong's last cross-lingual demo. So cryogenic room plan still ongoing.

Chis-A: I confirm her for September, whenever her engine will get released. It got rebranded into VoiSona. This should be normally the only character from this engine I'll be using, for the simple and unique reason that I HATE the subscription system. This is why I don't get many Waves plugins or why I don't use Adobe Premiere and I use VEGAS Pro instead.

3) Heavy change in mixdown method

For the ones who didn't follow my Twitter, here is a very huge announcement that will be important to you especially starting on August 8, 2022, first date where you'll have a demo concerned by this change.

The mixdown method has been revamped, especially with an exchange of plugins and a different final result.

Before June, I was using VEGAS Pro to mixdown. The software has ExpressFX, which are DirectX plugins, not VST plugins. After, you got the Neutron 3 Advanced (base), followed by Vocal Doubler (except for UTAU songs, this is mainly because UTAU is mixed down with several capellas when other engines only use a single one, so deepness), then Nectar 3 Plus (specialization), Nectar Elements legacy (volume enhancement) and Ozone 9 Advanced (final touch/harshness reduction of the plugins accumulated results).

Starting from August 8, 2022 and CD35.5 the mixdown method will be the following:

- FL Studio is being used for plugins remastering for EACH capella file (so there will be minimum 2 outputs for UTAU (main + cho) and 1 for other engines (mixdown)).
- ExpressFX disappears (FL Studio doesn't support DirectX plugins) and is replaced by Neoverb (iZotope plugin too)
- Neutron 3 Advanced is replaced by Neutron 4 (which is the culprit of this change!)
- the rest of the chain remains unchanged
- each remastered track is included in VEGAS Pro for applying the final compressor and rendering

So for the why I don't directly mixdown in FL Studio... You get the answer with some covers and remixes I did. The compressor from FL Studio is actually heavily reducing the volume of the instrumental when the capella is playing, which is not the case with the mockup preset on VEGAS Pro's compressor effect. It makes you a sort of audio spectrum where you see a very huge increase of volume compared to the instrumental. This is typical of a rendering under VEGAS Pro.

The reason why I'm using FL Studio for this step of mixdown is that VEGAS Pro doesn't support officially VST3 plugins. Since Steinberg stopped the support of VST2 AND stopped giving new licenses for VST2 to companies, Neutron 4 was made to not have a VST2 version. Only a VST3 one. So VEGAS doesn't see it and doesn't display it in the effects list. Until this is resolved, FL Studio will be used as intermediary for mixing down the projects. I really hope this gets fixed in August for VEGAS Pro 20. I count on you MAGIX guys!

So as comparison:

Former:
ExpressFX Reverb -> Vocal Doubler* -> Neutron 3 Advanced -> Nectar 3 Plus -> Nectar Elements (legacy) -> Ozone 9 Advanced

New:
Neoverb -> Vocal Doubler* -> Neutron 4 -> Nectar 3 Plus -> Nectar Elements (legacy) -> Ozone 9 Advanced

* songs using SynthV, VOCALOID and CeVIO only

And, will this change a lot the rendering to the ear? For having tested the two first songs using the new method... Yeah, it changes a lot. Mainly because there are two renderings, and still, the first one is still under wav (when final mixdown is rendered as mp3 files).

This won't be the thing that will make the season change though. We are still in season 5 right now and CD35.5 will contain season 5 songs. It will contain season 6 songs only if FL Studio 21 releases as a release candidate a strict minima. And seems FL 21 is not for now seeing at which step of testing they are (they are currently mainly testing a new browser, not the new effects and stuff yet).

So... That's all for the categories. No major acquisitions otherwise. Just little library upgrades. And even if there were just three categories, there was a lot to explain and to tell.

For reminder, you'll get a yandere song with Tei in 10 days.

See you soon!

Nynthixia

PS: happy birthday to sele by the way (again)! Because remember if there wasn't sele, Nynthixia wouldn't have existed at all.

『Pavlina』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, iZotope Nectar 3 Plus, ExpressFX, iZotope Neutron 3 Advanced, iZotope Ozone 9 Advanced, iZotope Vocal Doubler
Tracks mixing : Vegas Pro 19
Synthesizer : FL Studio 20
LIC (instru) : 12FR-220513-01375
LIN (full) : 「600 564 081」
IMIC (full) : 12FR-NYN8937-220513-001529
Full archive
Album : Sinking to the Darkness - TRACK 18/25

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : yandere content
Restricted on : piapro (forbidden)

夜に隠された嘘がついに発見されてた
宇宙に存在する唯一の人だと思った
秘密を発掘し、最後までそれらを燃やして
裏切られたと感じている、否定したかったの？

あなたのためにした全ての後だの
もう一度孤独を感じているだよ
本当に誰も信用できないの？
この激しい絶望が響く日まで

夜に隠された嘘がついに発見されてた
宇宙に存在する唯一の人だと思った
秘密を発掘し、最後までそれらを燃やして
裏切られたと感じている、否定したかったの？

夜の外では、今夜は誰も来なかっただよね
ついに最大の絶望を取り除けていたよ
今、あなたは私に戻ってくる義務があるよ
内なる灼熱の憎しみを避けたいのならね

Lies hidden in the night have finally been discovered
I thought I was the only one to exist in your universe
I'll unearth the secrets and burn them until the last
I feel betrayed, did you want to deny me?

After everything I have done for you
I feel alone once again
Can't I really trust anyone?
Until the day an intense despair is resonating

Lies hidden in the night have finally been discovered
I thought I was the only one to exist in your universe
I'll unearth the secrets and burn them until the last
I feel betrayed, did you want to deny me?

Outside in the night, nobody came tonight
I finally got rid of my biggest despair
Now you'll be obligated to come back to me
If you want to avoid the burning hatred within

Les mensonges dissimulés dans la nuit ont enfin été découverts
Je pensais être la seule à exister dans ton univers
Je déterrerai les secrets et les brûlerai jusqu'au dernier
Je me sens trahie, pensais-tu me renier ?

Après tout ce que j'ai fait pour toi
Je me sens seule encore une fois
Ne puis-je faire vraiment confiance à personne ?
Jusqu'au jour où cet intense désespoir résonne

Les mensonges dissimulés dans la nuit ont enfin été découverts
Je pensais être la seule à exister dans ton univers
Je déterrerai les secrets et les brûlerai jusqu'au dernier
Je me sens trahie, pensais-tu me renier ?

Dehors dans la nuit, personne n'est venu ce soir
Je me suis débarrassée enfin de mon plus grand désespoir
Désormais tu seras obligée de revenir vers moi
Si tu veux éviter la haine brûlante en moi

A girl feeling betrayed after having seen her lover talking with a man every night.
Music: pad by Ethereal Earth, sub and arp pad by Sytrus, lead by Morpheus.

『Lightless』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, iZotope Nectar 3 Plus, ExpressFX, iZotope Neutron 3 Advanced, iZotope Ozone 9 Advanced, Vocal Doubler
Tracks mixing : Vegas Pro 19
Synthesizer : FL Studio 20
LIC (instru) : 12FR-220512-01374
LIN (full) : 「600 563 116」
IMIC (full) : 12FR-NYN8937-220512-001528
Full archive
Album : Sinking to the Darkness - TRACK 4/25

Rating : Questionable - Q
Not recommended for people under... : 10
Reason : possibly shocking content
Restricted on : (none)

影が後ろにあるとわかっていると先に進めないよ
運命を虚空に飲み込み、君なしでは迷子になって
持っていたいくつかの希望は遠くに流されていたね
何度も何度も泣いている、終わりをとても恐れている

暗闇の中を歩いて幸せを探して
どんなに頑張っても届かない遠い光
君のことを考え続け、心を温めて
無限の黒の中で、もう一度聞く必要

影が後ろにあるとわかっていると先に進めないよ
運命を虚空に飲み込み、君なしでは迷子になって
持っていたいくつかの希望は遠くに流されていたね
何度も何度も泣いている、終わりをとても恐れている

聴けないように一生懸命祈っていた
沈黙は未知から共鳴し続けていたよ
親愛なる甘い思い出を消したくなかった
未来がわからないなら、過去を残してくれね

影が後ろにあるとわかっていると先に進めないよ
運命を虚空に飲み込み、君なしでは迷子になって
持っていたいくつかの希望は遠くに流されていたね
何度も何度も泣いている、終わりをとても恐れている

I can't go forward when I know shadows are behind me
Swallowing fate into the void, I feel lost without you
The few hope I had has been swept away in the distance
I cry again and again, I'm so afraid for the end

Walking in the darkness searching for some happiness
A distant light I'm unable to reach, no matter how hard I try
I keep thinking about you, warming up my heart
In the infinite blackness, I need to hear you again

I can't go forward when I know shadows are behind me
Swallowing fate into the void, I feel lost without you
The few hope I had has been swept away in the distance
I cry again and again, I'm so afraid for the end

I prayed so hard to be listened to
Silence kept resonating from the unknown
I didn't want my dear sweet memories to be erased
If I can't get a future, leave me my past

I can't go forward when I know shadows are behind me
Swallowing fate into the void, I feel lost without you
The few hope I had has been swept away in the distance
I cry again and again, I'm so afraid for the end

Je ne peux avancer lorsque je sais que les ombres sont derrière moi
Avalant le destin dans le néant, je me sens perdue sans toi
Le peu d'espoir que j'avais a été balayé au loin
Je pleure encore et encore, j'ai si peur pour la fin

Marchant dans l'obscurité cherchant un peu de bonheur
Une lumière que je ne peux atteindre peu importe mes efforts
Je continue de penser à toi, réchauffant mon cœur
Dans le noir infini, j'ai besoin de t'entendre encore

Je ne peux avancer lorsque je sais que les ombres sont derrière moi
Avalant le destin dans le néant, je me sens perdue sans toi
Le peu d'espoir que j'avais a été balayé au loin
Je pleure encore et encore, j'ai si peur pour la fin

J'ai prié si fort pour pouvoir être entendue
Le silence continuait de résonner depuis l'inconnu
Je ne voulais pas que mes chers et doux souvenirs soient effacés
Si je ne peux avoir de futur, laissez-moi mon passé

Je ne peux avancer lorsque je sais que les ombres sont derrière moi
Avalant le destin dans le néant, je me sens perdue sans toi
Le peu d'espoir que j'avais a été balayé au loin
Je pleure encore et encore, j'ai si peur pour la fin

Music: pad by Novachord, sequence pad by Signal, lead by 40s Very Own Keys, voice pluck by Glaze.

『Layla』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX, iZotope Neutron 3 Advanced, iZotope Ozone 9 Advanced, iZotope Nectar 3 Plus, Vocal Doubler
Tracks mixing : Vegas Pro 19
Synthesizer : FL Studio 20
LIC (instru) : 12FR-220511-01373
LIN (full) : 「600 562 349」
IMIC (full) : 12FR-NYN8937-220511-001527
Full archive
Album : Sinking to the Darkness - TRACK 14/25

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : yandere content
Restricted on : piapro (forbidden)

泣くしかできない絶望の城に迷い込んでいた
届かないこの未来に向かって手を抱えているよ
制限しと制約しようとしている非常に言葉
でも解放される瞬間を今でも信じたくて

優しく幸せを待っている鳥だよ
心の檻を開ける方法を知る鍵
いつもあなたを腕に抱きしめたくて
したくないかどうかは関係ないよね

泣くしかできない絶望の城に迷い込んでいた
届かないこの未来に向かって手を抱えているよ
制限しと制約しようとしている非常に言葉
でも解放される瞬間を今でも信じたくて

まだ自分の理想を夢見る権利だ
あなたを傷つけるものを理解してる
お父さんがあなたを悩ませているの？
その場合、彼を排除する必要だ

今、あなたと私はこの王国の女王になって
私たちの間の壁から障害物を一掃した
今、世界がついてどう思っているかを気にしない
私たち二人永遠になるでしょうよ、何よりも

Lost in a castle of despair, where I can only cry
Holding my hand towards a future I can't reach
Words trying to restrict and constraint me
But I still want to believe to a moment I'll be able to be freed

I'm a bird who's gently waiting for happiness
The key which will know how to open the cage of my heart
I always wanted to embrace you in my arms
No matter if you don't want to

Lost in a castle of despair, where I can only cry
Holding my hand towards a future I can't reach
Words trying to restrict and constraint me
But I still want to believe to a moment I'll be able to be freed

I still have the right to dream about my ideal
I understand what hurts you
Would it be your father bothering you?
In that case I should eliminate him

Now you and me will be the queens of this kingdom
I swept the obstacles away from the wall between us
Now we won't care about what the world thinks about it
Us two it will be forever, more than anything

Perdue dans un château de désespoir, où je ne peux que pleurer
Tenant ma main vers ce futur que je ne peux atteindre
Des paroles qui tentent de me restreindre et me contraindre
Mais je veux encore croire à un moment où je pourrai être libérée

Je suis un oiseau attendant gentiment le bonheur
La clé qui saura ouvrir la cage de mon cœur
Je voudrais depuis toujours t'enlacer dans mes bras
Peu importe si tu ne le souhaites pas

Perdue dans un château de désespoir, où je ne peux que pleurer
Tenant ma main vers ce futur que je ne peux atteindre
Des paroles qui tentent de me restreindre et me contraindre
Mais je veux encore croire à un moment où je pourrai être libérée

J'ai toujours le droit de rêver de mon idéal
Je comprends ce qui te fait mal
Serait-ce ton père qui ose t'importuner ?
Dans ce cas je devrai l'éliminer

Maintenant toi et moi serons les reines de ce monde
J'ai balayé au loin les obstacles du mur entre nous
Désormais on se fichera bien de ce qu'en pense le monde
Toutes les deux ce sera pour la vie, plus que tout

A princess in love with the daughter of another royal family. No king, no sultan will be able to stop this love which is frightening the poor lover.
Music: Electroworld with Middle East instruments. Saz patterns by Middle East, accoustic guitar lead by Session Guitarist Picked Nylon, hmm choir by Voices of Wind - Kimba, tanpura by World Strings Tanpura, oud by World Strings Oud.

『Leviathan Awakens』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, iZotope Nectar 3 Plus, ExpressFX, iZotope Ozone 9 Advanced, iZotope Neutron 3 Advanced, iZotope Vocal Doubler
Tracks mixing : Vegas Pro 19
Synthesizer : FL Studio 20
LIC (instru) : 12FR-220510-01372
LIN (full) : 「600 561 738」
IMIC (full) : 12FR-NYN8937-220510-001526
Full archive
Album : Sinking to the Darkness - TRACK 20/25

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : murders
Restricted on : piapro (not recommended)

深淵からの悪夢が嵐の中で目覚めて
逃げる方法はない、悲鳴は頭を満たして
この人類は抵抗する方法を知らない
その希望が地獄の波に飲み込まれる前に

海の奥から響き渡る唸り声
生き物の静かな眠りは終わったよ
制限して最後の鎖は壊れた
この運命を待つ望みはもうないよ

深淵からの悪夢が嵐の中で目覚めて
逃げる方法はない、悲鳴は頭を満たして
この人類は抵抗する方法を知らない
その希望が地獄の波に飲み込まれる前に

遅かれ早かれこれは終わるでしょうよ
死が来るのを待って、決心していたよ
地球全体が海に飲み込まれる日
目覚めの深さから化け物を恐れて

Nightmare from the abyss awakens in the storm
No way to escape, its scream fills out my head
Humanity won't know how to resist
Before its hopes being swallowed by the waves of hell

A growl resonating from deep in the ocean
The quiet slumber of the creature ended
The last chains restricting it broke
There's no hope anymore to wait for this fate

Nightmare from the abyss awakens in the storm
No way to escape, its scream fills out my head
Humanity won't know how to resist
Before its hopes being swallowed by the waves of hell

Sooner or later this would be over
Waiting for the death to come, I was determined
The day the whole earth would be swallowed by ocean
Fear the monster from the depths awakening

Le cauchemar des abysses se réveille dans la tempête
Aucun moyen de s'échapper, son cri emplit ma tête
Cette humanité ne saura comment résister
Avant que ses espoirs ne soient avalés par les vagues de l'enfer

Un grognement résonnant depuis les profondeurs de l'océan
Le tranquille sommeil de la créature vient de prendre fin
Les dernières chaînes le retenant se sont brisées maintenant
Il n'y a plus d'espoir pour attendre le destin

Le cauchemar des abysses se réveille dans la tempête
Aucun moyen de s'échapper, son cri emplit ma tête
Cette humanité ne saura comment résister
Avant que ses espoirs ne soient avalés par les vagues de l'enfer

Un jour l'autre c'en serait terminé
Attendant que la mort arrive, j'étais déterminée
Le jour où la terre entière serait engloutie par l'océan
Craignez le monstre des profondeurs se réveillant

Typically this could have been a Lovecraft series song if the deity was a Lovecraft one, but here it's mainly about the big Leviathan in the oceans.
Music: pad by Geosonics II, water pad by Haunted Spaces, gated pad by Toxic Biohazard, leads by The Conservatoire Collection.
This song can't get a compatibility patch for versions below FL 20.

『Haven of Peace』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX, iZotope Neutron 3 Advanced, iZotope Ozone 9 Advanced, iZotope Nectar 3 Plus
Tracks mixing : Vegas Pro 19
Synthesizer : FL Studio 20
LIC (instru) : 12FR-220510-01371
LIN (full) : 「600 561 249」
IMIC (full) : 12FR-NYN8937-220510-001525
Full archive
Album : Sinking to the Darkness - TRACK 17/25

Rating : Approved for all audiences - A
Not recommended for people under... : -
Reason : -
Restricted on : (none)

楽園の静かな庭を夢見ていた
希望が眠るところ、ベッドに隠されて
目を閉じて平和を想像してくれね
新鮮な雲の上にそっと横になって

生命が流れる川を夢見ていた
遠くを見てると、庭も呼吸している
何も考えずに自分を手放って
明らかにする秘密はまだたくさんだ

楽園の静かな庭を夢見ていた
希望が眠るところ、ベッドに隠されて
目を閉じて平和を想像してくれね
新鮮な雲の上にそっと横になって

I dreamt about a quiet garden in paradise
Where hope sleeps, hidden in its bed
Close the eyes and imagine the peace
Gently lying down on a fresh cloud

I dreamt about a river where life flows
Looking in the distance, garden also breathes
Don't think about anything and let yourself go
There are still many secrets to unveil

I dreamt about a quiet garden in paradise
Where hope sleeps, hidden in its bed
Close the eyes and imagine the peace
Gently lying down on a fresh cloud

J'ai rêvé d'un jardin tranquille au paradis
Où dort l'espoir, caché au fond de son lit
Ferme les yeux et imagine la paix
Gentiment allongée sur un nuage frais

J'ai rêvé d'une rivière où coule la vie
Regardant au loin, le jardin respire aussi
Ne pense plus à rien et laisse-toi aller
Il y a tant de secrets encore à dévoiler

J'ai rêvé d'un jardin tranquille au paradis
Où dort l'espoir, caché au fond de son lit
Ferme les yeux et imagine la paix
Gentiment allongée sur un nuage frais

This is a very light song to make a rest before two more intense songs later.
Music: very chill pop. Atmo by Arcane, pad by Jade Ethnic Orchestra, harp by Elysium Harp, chant by Voices of Wind - Adey, lead by Ancient Greek Strings, roll and percussions by Ancient Greek Percussions.

『Sunken Gardens』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, ExpressFX, iZotope Nectar 3 Plus, iZotope Ozone 9 Advanced, iZotope Neutron 3 Advanced
Tracks mixing : Vegas Pro 19
Synthesizer : FL Studio 20
LIC (instru) : 12FR-220509-01370
LIN (full) : 「600 560 627」
IMIC (full) : 12FR-NYN8937-211005-001523
Full archive
Album : Sinking to the Darkness - TRACK 22/25

Rating : Approved for all audiences - A
Not recommended for people under... : -
Reason : -
Restricted on : (none)

今夜水中庭園に行き、果てしなく続く迷宮に身を任せた
深淵の遠い記憶、この運命不明の忘れられた楽園だ
遠くで歌うのが聞こえて、近づいてみてるけど、また遠くになって
過去が神話を超えた真実を覚えてなら、多分顔を見るでしょう

実際に存在するかどうかは誰にも知らないよ
でも多分ただこれらの場所について夢を見ていたよ
私は架空と現実を区別する方法がない
誰が知ってる、永遠の謎の秘密を発見てた

今夜水中庭園に行き、果てしなく続く迷宮に身を任せた
深淵の遠い記憶、この運命不明の忘れられた楽園だ
遠くで歌うのが聞こえて、近づいてみてるけど、また遠くになって
過去が神話を超えた真実を覚えてなら、多分顔を見るでしょう

庭がどこかに存在しなければならないと確信した
それが言われたら、それは悪夢の中にさえあるでしょう
行き過ぎた、現実から場合、暗闇から離れてた
もう怖くないでしょうよ、希望に満ちあふれるでしょうよ

今夜水中庭園に行き、果てしなく続く迷宮に身を任せた
深淵の遠い記憶、この運命不明の忘れられた楽園だ
遠くで歌うのが聞こえて、近づいてみてるけど、また遠くになって
過去が神話を超えた真実を覚えてなら、多分顔を見るでしょう

I went to the underwater gardens this night, losing myself in an endless labyrinth
Distant memories in the abyss, forgotten paradise with an unknown fate
I hear singing in the distance, I try approaching but it gets farer away again
If past remembers the truth beyond the myth, maybe I'll see its face

No one knows if they actually exist
Maybe did I just dream about these places
I have no ways to distinguish the imaginary and the reality
Who knows, I discovered the secret of an eternal mystery

I went to the underwater gardens this night, losing myself in an endless labyrinth
Distant memories in the abyss, forgotten paradise with an unknown fate
I hear singing in the distance, I try approaching but it gets farer away again
If past remembers the truth beyond the myth, maybe I'll see its face

I was certain the garden had to exist somewhere
If it has been told, would it even be in a nightmare
If I went too far, if I stepped off the reality, went off the dark
I won't be scared anymore, I'll be filled with hope

I went to the underwater gardens this night, losing myself in an endless labyrinth
Distant memories in the abyss, forgotten paradise with an unknown fate
I hear singing in the distance, I try approaching but it gets farer away again
If past remembers the truth beyond the myth, maybe I'll see its face

Je suis allée dans les jardins sous-marins cette nuit, me perdant dans un labyrinthe sans fin
Souvenir lointain dans les abysses, ce paradis oublié dont on ignore le destin
J'entends un chant au loin, j'ai beau l'approcher mais il s'éloigne davantage
Si le passé se rappelle de la vérité au-delà du mythe, verrai-je peut-être son visage

Nul ne sait s'ils existent réellement
Mais peut-être ai-je rêvé de ces endroits tout simplement
Je n'ai aucun moyen de distinguer l'imaginaire du réel
Qui sait, j'ai découvert le secret d'un mystère éternel

Je suis allée dans les jardins sous-marins cette nuit, me perdant dans un labyrinthe sans fin
Souvenir lointain dans les abysses, ce paradis oublié dont on ignore le destin
J'entends un chant au loin, j'ai beau l'approcher mais il s'éloigne davantage
Si le passé se rappelle de la vérité au-delà du mythe, verrai-je peut-être son visage

J'étais certaine que le jardin devait exister quelque part
S'il avait été raconté, ne serait-ce même que dans un cauchemar
Si je suis allée trop loin et que je suis sortie de la réalité, sortie du noir
Je n'aurai plus peur, je serai remplie d'espoir

Je suis allée dans les jardins sous-marins cette nuit, me perdant dans un labyrinthe sans fin
Souvenir lointain dans les abysses, ce paradis oublié dont on ignore le destin
J'entends un chant au loin, j'ai beau l'approcher mais il s'éloigne davantage
Si le passé se rappelle de la vérité au-delà du mythe, verrai-je peut-être son visage

Gardens of Babylon became a sort of myth, of legend, to the point no one knows if they really existed. But maybe if someone finds a trace of these sunken gardens... Maybe legends were true after all.
Music: light dance music. Sequence pad by Mosaic Voices, gated atmo by Geosonics II, leads by Super 8.

『Like A Fool』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, iZotope Nectar 3 Plus, ExpressFX, iZotope Neutron 3 Advanced, iZotope Ozone 9 Advanced, Vocal Doubler
Tracks mixing: Vegas Pro 19
Synthesizer : FL Studio 20
LIC (instru) : 12FR-220509-01369
LIN (full) : 「600 560 421」
IMIC (full) : 12FR-NYN8937-220509-001522
Full archive
Album : Sinking to the Darkness - TRACK ??/25

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : insanity references
Restricted on : (none)

何も気にせずにあなたの言葉を信じていただよ
この瞬間に推測したなら、元気ではなかった

馬鹿のように
脅威を見ることができなかった
馬鹿のように
この現実に直面せずに
馬鹿のように
間違った敵を手に入れたよ
馬鹿のように
この狂気に陥っていたよ

本当の問題はこの裏切りがとても近いこと
どうしても見なければならなかった黒い罠だった

馬鹿のように
脅威を見ることができなかった
馬鹿のように
この現実に直面せずに
馬鹿のように
間違った敵を手に入れたよ
馬鹿のように
この狂気に陥っていたよ

I believed in your words without worrying about anything
If I had guessed at this moment you weren't fine

Like a fool
I failed to see the threat
Like a fool
Without facing reality
Like a fool
I got the wrong enemy
Like a fool
I fell into insanity

The real issue was this betrayal so close to me
A black trap I had to see at all costs

Like a fool
I failed to see the threat
Like a fool
Without facing reality
Like a fool
I got the wrong enemy
Like a fool
I fell into insanity

J'ai cru en tes mots sans me soucier de rien
Si j'avais deviné qu'à ce moment tu n'allais pas bien

Comme une idiote
J'ai échoué à voir la menace
Comme une idiote
Sans voir cette réalité en face
Comme une idiote
Je me suis trompée d'ennemi
Comme une idiote
Je suis tombée dans la folie

Le vrai problème était cette trahison si proche de moi
Un piège noir qu'il fallait qu'à tout prix je voie

Comme une idiote
J'ai échoué à voir la menace
Comme une idiote
Sans voir cette réalité en face
Comme une idiote
Je me suis trompée d'ennemi
Comme une idiote
Je suis tombée dans la folie

Part of the Corruption series / main lore series.
Follow up of the song "Interstellar".
Where Xingchen finally notices the truth. What had happened was that Xin Hua told her she injected her a vaccine against the corruption, when she injected the corruption by itself. Instead, Xingchen thought her true adversary was still Minus... Until she gets this weird dream. A flying Azathoth away, and below, Minus trying to tell her she is stuck in a lie, that Xin Hua totally lied to her and that the real enemy here is the corruption by itself. The day Xingchen starts having symptoms, she understands that Minus is actually trying to warn her and help her, and not just trying to corrupt her with madness.
Music: a bit calm but less than the other one. Piano and synth by Sonespheres 4, chant by Voices of Wind - Adey, long piano by The Grandeur, lead by Noire and vibraphone by Mallet Flux.

『Breached』

Music, lyrics : NynthixiaP
Rearrangement : iZotope Nectar Elements, iZotope Nectar 3 Plus, ExpressFX, iZotope Neutron 3 Advanced, iZotope Ozone 9 Advanced, Vocal Doubler
Tracks mixing: Vegas Pro 19
Synthesizer : FL Studio 20
LIC (instru) : 12FR-220508-01368
LIN (full) : 「600 559 309」
IMIC (full) : 12FR-NYN8937-220508-00122
Full archive
Album : Sinking to the Darkness - TRACK 2/25

Rating : Mature (second class) - M14
Not recommended for people under... : 14
Reason : crude lyrics, murders
Restricted on : (none)

どんな抵抗も無駄、あんたの防御をやめろ
敗北を受け入れて、実現を開始して
世界は無敵ではない、障害があるよね
手遅れになることはないので、消えているね
どんな抵抗も無駄、あんたの防御をやめろ
全員を沈黙させたくない場合よね
侵入者がなんとか取得した鍵を見つけて
見つけることができないならば、死ぬ準備をして

本当に責任を負っていないと思って？
あんたはもっと注意すべきだった、それだけ
さあ、今あんたの砂場の土地から出てくれ
泣き虫であり続けるならば、何も勝ちない

どんな抵抗も無駄、あんたの防御をやめろ
敗北を受け入れて、実現を開始して
世界は無敵ではない、障害があるよね
手遅れになることはないので、消えているね
どんな抵抗も無駄、あんたの防御をやめろ
全員を沈黙させたくない場合よね
侵入者がなんとか取得した鍵を見つけて
見つけることができないならば、死ぬ準備をして

そのような愚かさを期待していなかった
出没を防ぐことができなかったことだ
本当に全てを自分で行う必要？
他の誰もがもう自分自身ではない前に

どんな抵抗も無駄、あんたの防御をやめろ
敗北を受け入れて、実現を開始して
世界は無敵ではない、障害があるよね
手遅れになることはないので、消えているね
どんな抵抗も無駄、あんたの防御をやめろ
全員を沈黙させたくない場合よね
侵入者がなんとか取得した鍵を見つけて
見つけることができないならば、死ぬ準備をして

Any resistance is futile, cease your defenses
Accept the defeat and start realizing
World is not invincible, there's a breach
It's never too late so it goes away
Any resistance is futile, cease your defenses
If you don't want everyone reduced to silence
Find the key the intruder managed to get
If you can't find it, prepare to die

Do you really think you're not the responsible?
You should have been more careful, that's it
Now, get out from your lands of sandboxes
If you continue being a crybaby you'll win nothing at all

Any resistance is futile, cease your defenses
Accept the defeat and start realizing
World is not invincible, there's a breach
It's never too late so it goes away
Any resistance is futile, cease your defenses
If you don't want everyone reduced to silence
Find the key the intruder managed to get
If you can't find it, prepare to die

I didn't expect such foolishness
To have been unable to prevent your haunting
Do I really need to do everything by myself?
Before everyone else aren't themselves anymore

Any resistance is futile, cease your defenses
Accept the defeat and start realizing
World is not invincible, there's a breach
It's never too late so it goes away
Any resistance is futile, cease your defenses
If you don't want everyone reduced to silence
Find the key the intruder managed to get
If you can't find it, prepare to die

Toute résistance est inutile, cesse tes défenses
Accepte la défaite et prends donc conscience
Le monde n'est pas invincible, il y a une faille
Il n'est jamais trop tard pour qu'elle s'en aille
Toute résistance est inutile, cesse tes défenses
Si tu ne veux pas réduire les autres au silence
Trouve la clé que l'intrus a réussi à obtenir
Et si tu ne trouves pas prépare-toi à mourir

Tu crois vraiment ne pas être le responsable ?
T'aurais juste dû faire plus attention, c'est tout
Maintenant, sors de tes terrains de bac à sable
Si tu continues de pleurnicher tu ne gagneras rien du tout

Toute résistance est inutile, cesse tes défenses
Accepte la défaite et prends donc conscience
Le monde n'est pas invincible, il y a une faille
Il n'est jamais trop tard pour qu'elle s'en aille
Toute résistance est inutile, cesse tes défenses
Si tu ne veux pas réduire les autres au silence
Trouve la clé que l'intrus a réussi à obtenir
Et si tu ne trouves pas prépare-toi à mourir

Je ne m'attendais pas à une telle bêtise
D'avoir été incapable d'empêcher ta hantise
Dois-je vraiment tout faire par moi-même ?
Avant que les autres ne soient plus eux-mêmes

Toute résistance est inutile, cesse tes défenses
Accepte la défaite et prends donc conscience
Le monde n'est pas invincible, il y a une faille
Il n'est jamais trop tard pour qu'elle s'en aille
Toute résistance est inutile, cesse tes défenses
Si tu ne veux pas réduire les autres au silence
Trouve la clé que l'intrus a réussi à obtenir
Et si tu ne trouves pas prépare-toi à mourir

There is something no one should have left enter, and still, this thing managed to breach containment and now, this is a mess.
Music: half-hardstyle half-techno. Used GUMI Adult for this one. Lead by Serum, the rest is using Massive X.